Meg explores the Paris Opera and stumbles on the Phantom of the Opera who is heartbroken because he loves Christine, an opera singer who is about to marry her fiancé.

An angel has returned to Paris. But is it the Angel of Music…or Death? Two years have passed since Christine fled the opera house, put the memories and the horror behind her. And yet, in her dreams, she still hears his voice, feels his moth-light touch on her throat. The rumors involving the legendary Opera Ghost are merely newspaper sensationalism. The Opera Ghost is dead. His tragic life, his epic opera, his obsession with her voice…ended. But with a slow, heart-pounding dread, Christine lets a lie slip from her lips, and heads for Paris. Alone. Because she has to know if Erik is dead. Or if he’s alive…and wreaking his vengeance.

Romanforlægget til musicalen "Phantom of the opera" foregår i Pariseroperaen i 1911, hvor Fantomet, et deformt og mystisk væsen, der lever i kældrene under operaen, forelsker sig i en ung sangerinde og iscenesætter gruopvækkende og overnaturlige begivenheder for at vinde hende

Leroux's classic Gothic melodrama, here freshly presented in a vivid new translation, with informative introduction and notes. The original novel behind Andrew Lloyd Webber's famous musical, The Phantom of the Opera tells of the masked Phantom whose obsessive love for Christine Daaé sets in chain a series of terrifying events.

An illustrated retelling of the classic story of the Phantom of the Opera.

The story of the Phantom of the Opera, a half-crazed musician hiding in the labyrinth of the famous Paris Opera House and creating a number of strange and mysterious events to further the career of a beautiful young singer, is today regarded as one of the most famous of all horror stories: widely mentioned in the same breath as Frankenstein and Dracula. Yet the fame of this novel is based almost entirely on the various film versions, while the original book has been largely ignored and is rarely in print. An Accelerated Reader® Title.

This book examines the themes and variations of Phantom of the Opera, exploring the story's appeal to multiple generations through numerous incarnations. After discussing Gaston Leroux's original 1910 novel, the work turns first to Phantom on film from Lon Chaney's 1925 Phantom through Dario Argento's 1998 film. Stage versions of Phantom are then covered in detail, including Webber's spectacular 1986 production and its lesser-known predecessors and competitors, and those that followed. A final section looks at novels and miscellaneous adaptations ranging from erotic fiction to a Donald Barthelme short story.