This collection explores the centrality of The Who’s classic album, and Franc Roddam’s cult classic film of adolescent life, Quadrophenia to the recent cultural history of Britain, to British subcultural studies, and to a continuing fascination with Mod style and culture. The interdisciplinary chapters collected here set the album and film amongst critical contexts including gender and sexuality studies, class analysis, and the film and album’s urban geographies, seeing Quadrophenia as a transatlantic phenomenon and as a perennial adolescent story. Contributors view Quadrophenia through a variety of lenses, including the Who’s history and reception, the 1970s English political and social landscape, the adolescent novel of development (the bildungsroman), the perception of the film through the eyes of Mods and Mod revivalists, 1970s socialist politics, punk, glam, sharp suits, scooters and the Brighton train, arguing for the continuing richness of Quadrophenia’s depiction of the adolescent dilemma. The volume includes new interviews with Franc Roddam, director of Quadrophenia, and the photographer Ethan Russell, who took the photos for the album’s famous photo booklet.

I was first introduced to this larger than life character back in 1979, albeit through a projector onto the silver screen, Quadrophenia, the film that launched a 1000 faces. 18 years later, I would finally meet this totally outrageous person who became one of my closest friends, lush, side kick, partner in crime and mentalist. A man who would have a huge impact on my life, from sharing a gay Ted Baker tent in Brighton and keeping the whole campsite awake, singing at the tops of our voices in west end bars, TV interviews, book launches, film premiers, marathon drinking sessions and crazy weekend parties that Keith Moon would have been proud of! A man who has worked with the cream of fine actors and rock royalty. A man that can instantly lift you out of your gloom and have you in fits of laughter with his life stories, a man with extra ordinary talent actor, presenter, songwriter, composer, compere, musician, non-conformist, life contributor, annoying jingle creator and dog lover. Basically, a man that you want to be your friend. Inside the covers of this book lies the true stories from behind the scenes of the life of this man. Ladies and gentleman, I give you Mr Gary Shail."

The University of Notre Dame Press is pleased to bring Ernst Haas's classic work on European integration, The Uniting of Europe, back into print. First published in 1958 and last printed in 1968, this seminal volume is the starting point for anyone interested in the pre-history of the European Union. Haas uses the European Coal and Steel Community (ECSC) as a case study of the community formation processes that occur across traditional national and state boundaries. Haas points to the ECSC as an example of an organization with the "power to redirect the loyalties and expectations of political actors." In this pathbreaking book Haas contends that, based on his observations of the actual integration process, the idea of a "united Europe" took root in the years immediately following World War II. His careful and rigorous analysis tracks the development of the ECSC, including, in his 1968 preface, a discussion of the eventual loss of the individual identity of the ECSC through its absorption into the new European Community. Featuring a new introduction by Haas analyzing the impact of his book over time, as well as an updated bibliography, The Uniting of Europe is a must-have for political scientists and historians of modern and contemporary Europe. This book is the inaugural volume of Notre Dame's new Contemporary European Politics and Society Series.

The true story of a young interpreter and her relationship with the punk icon Sid Vicious.This story takes us behind the scenes of the Sex Pistols Scandinavian Tour of 1977 and shows the true characters of the band and their associates. Other peoples comments are speckled throughout the book, by people who were there. After Sid leaves Scandinavia other people who were present at the time, tell the story of what really happened to Sid in New York and follow him all the way to spreading his ashes.

Dexys' saxophonist Blythe recounts the recording of the band's first album with images from the band's official photographer Laye.