THE LACK of transfiguration in low-impact African academia with regards to cultivated and insensate academics is largely accountable for Africa’s incapacity to reinvent, transform, and redeem the material condition of the African people. Although this project is essentially a tale of woe regarding the largely unresponsive African academia, it is also methodical in its orientation in a measure to divulge the sub rosa and hegemonic regimes which preclude objective rationality in African intellectualism. Transfiguration is a prerequisite to transformation. The conceptual idea is that responsiveness and transformation are essentially about the pursuit of relative gains. In Africa, transformation can only be achieved when African people start observing Africa through African lenses. This project is intended for researchers and students of Africa as they would be introduced to introspective intuition as a fundamental framework for societal remediation.

THE LACK of transfiguration in low-impact African academia with regards to cultivated and insensate academics is largely accountable for Africa’s incapacity to reinvent, transform, and redeem the material condition of the African people. Although this project is essentially a tale of woe regarding the largely unresponsive African academia, it is also methodical in its orientation in a measure to divulge the sub rosa and hegemonic regimes which preclude objective rationality in African intellectualism. Transfiguration is a prerequisite to transformation. The conceptual idea is that responsiveness and transformation are essentially about the pursuit of relative gains. In Africa, transformation can only be achieved when African people start observing Africa through African lenses. This project is intended for researchers and students of Africa as they would be introduced to introspective intuition as a fundamental framework for societal remediation.

A Fatherland wherein peace is taken for granted would be headed for rack and ruin. In the fullness of time, this Fatherland will morph into a politically embattled nation wherein psychologically distressed compatriots would liquidate each other across an incensed and sociologically shattered society. Garrison Metropolis casts light on the adaptive rehabilitation of this embattled universe through a regenerative doctrine of military intervention which has been christened “Pure militarism”. This involves the enlistment of “reformed Soldiers” as part of a measured campaign against fratricidal bloodletting. This campaign will keenly address the full depth of a culture of vileness in connection with adulteration and weaponized entrapment in a dystopian setting.

Whether it is trekking through the icy Maine woods, or journeying to a remote island in the South Pacific where the first atomic bombs were detonated, Theroux serves as both camera and the eye. This collection of essays and articles is the ultimate good read for anyone fascinated by travel.

The New York Times Best Seller "[Hope Never Dies is] an escapist fantasy that will likely appeal to liberals pining for the previous administration, longing for the Obama-Biden team to emerge from political retirement as action heroes."—Alexandra Alter, New York Times Vice President Joe Biden and President Barack Obama team up in this high-stakes thriller that combines a mystery worthy of Watson and Holmes with the laugh-out-loud bromantic chemistry of Lethal Weapon’s Murtaugh and Riggs. Vice President Joe Biden is fresh out of the Obama White House and feeling adrift when his favorite railroad conductor dies in a suspicious accident, leaving behind an ailing wife and a trail of clues. To unravel the mystery, “Amtrak Joe” re-teams with the only man he’s ever fully trusted: the 44th president of the United States. Together they’ll plumb the darkest corners of Delaware, traveling from cheap motels to biker bars and beyond, as they uncover the sinister forces advancing America’s opioid epidemic. Part noir thriller and part bromance, Hope Never Dies is essentially the first published work of Obama/Biden fiction—and a cathartic read for anyone distressed by the current state of affairs.

Book 1 of the brand new 9 part mega-series from Warhammer 40,000. A great darkness has befallen the galaxy, and the armies of Chaos are rampant. To survive, humanity must retaliate and take back what they have lost. By the will of the reborn primarch, Roboute Guilliman, is the Indomitus Crusade launched – a military undertaking that eclipses all others in known history. From the Throneworld of Terra does the Avenging Son hurl his fleets, their mission the very salvation of mankind. As vessels in their thousands burn through the cold void, the attention of Fleetmistress VanLeskus turns to the Machorta Sound – a region under attack by a dreaded Slaughter Host of the Dark Gods. The success of the Indomitus Crusade will be determined by this conflict, and the desperate mission of Battlegroup Saint Aster, led by Space Marine Lieutenant Messinius. Even then it is but a prelude to the forthcoming bloodshed.

New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).