"Art Garney started a construction company in Kansas City, Missouri, in 1924. His son eventually worked for his father, but in 1961 started his own company. Sixty years later, Garney Construction employs over 1,600 with 19 regional offices and a new headquarters in North Kansas City, Missouri. This book tells the company's history and explains the culture its employee-owners state makes the company unique"--

Contains material originally published in magazine form as Hulk vol. 1 #'s 12-20."

David F. Walker and David Aja are joined by an array of international talent for an anthology that puts the spotlight on crime noir!

FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION Claudia Rankine’s Citizen changed the conversation—Just Us urges all of us into it As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces—the airport, the theater, the dinner party, the voting booth—where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect. This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend’s explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine’s own text, complicating notions of authority and who gets the last word. Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine’s most intimate work, less interested in being right than in being true, being together.

With half the members of the Fantastic Four missing, the remaining two are left to deal with the invasion of the Skrulls, who seek to control the technology and weaponry housed in the Baxter Building.