With the Lhosir king dead and his army slaughtered and drowned on the walls of Varyxhun castle, King Valaric knows it's only a matter of time before the forkbeards stop licking their wounds and come at him again - and when they do he'd better be ready because there's nothing more precious to a forkbeard than his pride. And one of the things he needs more than anything else is a working forge to hammer out more arrowhead and spearheads and draw more wire for mail; and for a forge he needs tools and an anvil. The nearest working forge that has everything he needs is in Issetbridge. Issetbridge still occupied by the Lhosir so he'd best send someone tough to go and get it, and it has to be someone who knows his way around a forge, but that's not a problem since it was going to be Gallow anyway, his forkbeard smith. What he also has is a man on the inside, a carter whom the forkbeards of Issetbridge will recognise and might even let pass without trying to murder him. It's all good until Gallow's wife Arda points out that half the Lhosir in Issetbridge will recognise Gallow and he's about as subtle and unobtrusive as a smack round the head from a hammer. What Valaric really needs is someone who knows their way around a forge but whom the forkbeards won't notice. A Marroc, not a forkbeard. Better still, a woman. Her. Valaric reluctantly agrees. What he doesn't know is that Arda and Fenaric the Carter have history and it's not pretty.

The fort of Witches' Reach, where the Aulians buried the Eyes of Time, lies firmly under Marroc control - but the Aulians built a second fort on the other side of the river overlooking Issetbridge. The fort is a ruin, having collapsed decades ago but that doesn't mean there aren't secrets buried underneath it. With Gallow already away and Arda and several of Valaric's men about to sneak into Issetbridge to steal a forge, it falls to Achista to accompany Oribas on his expedition to pry into this lost ruin. In hostile territory, hiding from the forkbeards, Oribas and Achista find themselves embroiled in a Marroc uprising against the Lhosir of Issetbridge before Oribas finds a way into the half-collapsed chambers beneath the ruin of Dragon's Reach. Inside he hopes to find Aulian secrets; what he actually finds is something much more dangerous. . .

Praised by the likes of Joe Abercrombie and Brent Weeks, Stephen Deas has made dragons his own. The Silver King, half-god, legend and myth, is returning. Once he fought his brother, the Black Moon, and his dragons, and was defeated. But the Black Moon was also weakened, and a millennia has passed. Humanity has grown used to a world without gods, a world where they were masters of all - including the terrifying dragons. But the dragons have awakened, the hole in reality is expanding, and the shackles that kept the half-gods controlled have been broken. The Black Moon lives on in the body of Berren Crowntaker, and has taken control. With an army behind him, the dragons above and the Dragon Queen at his side, he goes to war with his brother. The worlds are turning, and only one thing is sure - there will be an ending. THE SILVER KING is the triumphant conclusion to one of the most brutal and wide-ranging fantasy series of recent years.

Collected here are all ten of Stephen Deas' epic fantasy novels about a world ruled by dragons. Blood, fire, sex, politics and betrayal combine in this masterful and wide-ranging series. Contains THE ADAMANTINE PALACE, THE KING OF THE CRAGS, THE ORDER OF THE SCALES, THE THIEF-TAKER'S APPRENTICE, THE WARLOCK'S SHADOW, THE KING'S ASSASSIN, THE BLACK MAUSOLEUM, DRAGON QUEEN, THE SPLINTERED GODS, THE SILVER KINGS

The year is 1820. Rider Sandman, a hero of Waterloo, returns to London to wed his fiancée. But instead of settling down to fame and glory, he finds himself penniless in a country where high unemployment and social unrest rage, and where men—innocent or guilty—are hanged for the merest of crimes. When he's offered a job as private investigator to re-open the case of a painter due to be hanged for a murder he didn't commit, Sandman readily accepts—as much for the money as for a chance to see justice done in a country gone to ruins. Soon, however, he's mired in a grisly murder plot that keeps thickening. Sandman makes his way through gentlemen's clubs and shady taverns, aristocratic mansions, and fashionable painters' studios determined to rescue the innocent young man from the rope. But someone doesn't want the truth revealed.