This is an authoritative account of the a major, but neglected aspect of the Irish cultural renaissance- prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gum. The frequency and production of new plays, both original and translated, have never been approached since. This book investigates all of these works as well as journalism and manuscript material and discusses them in a lively and often humorous manner. -- Publisher description

A continuation of the author's previous path-breaking book on the prose literature of the Gaelic Revival. For the first time, the development of a modern literature in Irish following the War of Independence and Civil War is outlined and analysed. This period saw an outpouring of book-length works in Irish from the state publishing agency An Gum, and the frequency and production of new plays, both original and translated, have never been approached since. Philip O'Leary has investigated all of these works as well as journalism and manuscript material. This book fills a large gap and will raise scholarly awareness of a major neglected aspect of the Irish cultural renaissance. The many quotations from the works discussed have been translated into English by the author, with the original Irish versions provided in the notes. Short biographies of the leading figures are given in an appendix.

This book provides a much-needed historiographical overview of modern Irish History, which is often written mainly from a socio-political perspective. This guide offers a comprehensive account of Irish History in its manifold aspects such as family, famine, labour, institutional, women, cultural, art, identity and migration histories.

In the early twentieth century, publicly staged productions of significant historical, political, and religious events became increasingly popular—and increasingly grand—in Ireland. These public pageants, a sort of precursor to today’s opening ceremonies at the Olympic games, mobilized huge numbers of citizens to present elaborately staged versions of Irish identity based on both history and myth. Complete with marching bands, costumes, fireworks, and mock battles, these spectacles were suffused with political and national significance. Dean explores the historical significance of these pageants, explaining how their popularity correlated to political or religious imperatives in twentieth-century Ireland. She uncovers unpublished archival findings to present scripts, programs, and articles covering these events. The book also includes over thirty photographs of pageants, program covers, and detailed designs for costumes to convey the grandeur of the historical pageants at the beginning of the century and their decline in production standards in the 1970s and 1980s. Tracing the Irish historical pageant phenomenon through the twentieth century, Dean presents a nation contending with the violence and political upheaval of the present by reimagining the past.

This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.

This book is the first to deal with physical culture in an Irish context, covering educational, martial and recreational histories. Deemed by many to be a precursor to the modern interest in health and gym cultures, physical culture was a late nineteenth and early twentieth century interest in personal health which spanned national and transnational histories. It encompassed gymnasiums, homes, classrooms, depots and military barracks. Prior to this work, physical culture’s emergence in Ireland has not received thorough academic attention. Addressing issues of gender, childhood, nationalism, and commerce, this book is unique within an Irish context in studying an Irish manifestation of a global phenomenon. Tracing four decades of Irish history, the work also examines the influence of foreign fitness entrepreneurs in Ireland and contrasts them with their Irish counterparts.

Follows the political, economic, and social development of Ireland from the pagan past to the contemporary religious strife and hope for reconciliation.