Reproduction of the original: Gabriel Tolliver by Joel Chandler Harris

From that hour Tasma Tid attached herself to Nan, following her everywhere with the unquestioning fidelity of a dog. She sat on the floor of the dining-room while Nan ate her meals, and slept on a pallet by the child's bed at night. If the African was sweeping the yard, a task she sometimes consented to perform, she would fling the brushbroom away and go with Nan if the child started out at the gate. At first this constant attendance was somewhat annoying to Nan, for she was an independent lass; but presently, when she found that Tasma Tid was a most accomplished and versatile playfellow, as well as the depositary of hundreds of curious fables and quaint tales of the wildwood, Nan's irritation disappeared. As for Gabriel—Gabriel Tolliver—he was almost as indispensable as the African woman. Children learn a good many things, as they grow older, and I have heard that Nan and Gabriel were thought to be queer, and that all who were much in their company were also thought to be queer. No one knows why. It was a simple statement, and simple statements are readily believed, because no one takes the trouble to inquire into them. A man who has views different from those of the majority is called eccentric; if he insists on promulgating them, he is known as a crank. In the case of Nan and Gabriel, it may be said by one who knows, that, while they were different from the majority of children, they were neither queer nor eccentric. They, and those whom they chose as companions, were children at a time when the demoralisation of war was about to begin—when it was already casting its long shadow before it—and when their elders were discussing as hard as ever they could the questions of State rights, the true interpretation of the Constitution, squatter sovereignty, the right of secession—every question, in short, except the one at issue. In this way, and for this reason, the two children and their companions were thrown back upon themselves. Of those who formed this merry little company, not one went to the academies that had been established in the town early enough to be its most ancient institutions. Nan was taught by her father, Randolph Dorrington, and Gabriel and I said our lessons to his grandmother, Mrs. Lucy Lumsden. Thus it happened that we were through with our school tasks before the children in the two academies had begun their morning recess. "We would never have been such good friends," said Nan on one occasion, "if I hadn't wanted to go to your house, Gabriel, to see how your grandmother wavies her hair. I saw Cephas, and asked him to go along with me." Child as she was, Nan had her little vanities. She desired above all things that her hair should fall away from her brow in little rippling waves, like those that shone in the silver-grey hair of Gabriel's grandmother.

The American author and creator of the folk character Uncle Remus, Joel Chandler Harris produced a wide body of works, reflecting his life and interests in the Deep South. As a young journalist, he established a reputation as a brilliant humorist and writer of dialect. His Uncle Remus stories secured for Harris a place in American literature. The format was an instant success — a wise and genial old black man, Uncle Remus narrates tales of Brer Rabbit, Brer Fox and other animals to the son of a plantation owner, while interweaving his philosophy of the world about him. Harris’ later novels reveal his ability as a writer of ‘local color’, exploring important issues facing the South after its Reconstruction. For the first time in publishing history, this eBook presents Harris’ complete works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Harris’ life and works * Concise introductions to the novels and other texts * The Complete Uncle Remus books, for the first time in digital publishing * Includes all of the original Uncle Remus illustrations * The Complete Thimblefinger series * All 7 novels, with individual contents tables * Even includes Harris’ first novel, ‘The Romance of Rockville’, lost for many years and appearing here for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * All works are fully illustrated with their original artwork * Rare story collections available in no other eBook * Special chronological and alphabetical contents tables for the short stories * Easily locate the stories you want to read * Includes Harris’ biography on his inspirational friend Henry W. Grady, first time in digital print * Features Wiggins’ seminal biography – discover Harris’ incredible life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Uncle Remus Books Uncle Remus: His Songs and His Sayings (1881) Nights with Uncle Remus (1883) Uncle Remus and His Friends (1892) The Tar-Baby and Other Rhymes of Uncle Remus (1904) Told by Uncle Remus (1905) Uncle Remus and Brer Rabbit (1907) Uncle Remus and the Little Boy (1910) Uncle Remus Returns (1918) Seven Tales of Uncle Remus (1948) Mr. Thimblefinger Series Little Mr. Thimblefinger and His Queer Country (1894) Mr. Rabbit at Home (1895) The Story of Aaron (So Named), the Son of Ben Ali (1896) Aaron in the Wildwoods (1897) The Novels The Romance of Rockville On the Plantation (1892) Sister Jane (1896) Gabriel Tolliver (1902) A Little Union Scout (1904) Shadow between His Shoulder Blades (1909) The Bishop and the Boogerman (1909) The Shorter Fiction Mingo and Other Sketches in Black and White (1884) Free Joe and Other Georgian Sketches (1887) Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) Balaam and His Master and Other Sketches and Stories (1891) Evening Tales (1893) Stories of Georgia (1896) Tales of the Home Folks in Peace and War (1898) The Chronicles of Aunt Minervy Ann (1899) Plantation Pageants (1899) On the Wing of Occasions (1900) The Making of a Statesman and Other Stories (1902) Wally Wanderoon and His Story-Telling Machine (1903) The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Introduction to ‘The Young Marooners on the Florida Coast’ by F. R. Goulding (1887) Life of Henry W. Grady (1890) The Biography The Life of Joel Chandler Harris (1918) by Robert Lemuel Wiggins Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

Joel Chandler Harris was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris wrote novels, narrative histories, translations of French folklore, children's literature, and collections of stories depicting rural life in Georgia. As fiction writer and folklorist, he wrote many 'Brer Rabbit' stories from the African-American oral tradition. He realized the literary value of the stories he had heard from the slaves of Turnwold Plantation. Harris set out to record the stories and insisted that they be verified by two independent sources before he would publish them. The stories, mostly collected directly from the African-American oral storytelling tradition, were revolutionary in their use of dialect, animal personages, and serialized landscapes. 1. The Uncle Remus Books — Uncle Remus: His Songs and His Sayings (1881) — Nights with Uncle Remus (1883) — Uncle Remus and His Friends (1892) — The Tar-Baby and Other Rhymes of Uncle Remus (1904) — Told by Uncle Remus (1905) — Uncle Remus and Brer Rabbit (1907) — Uncle Remus and the Little Boy (1910) — Uncle Remus Returns (1918) — Seven Tales of Uncle Remus (1948) 2. Mr. Thimblefinger Series — Little Mr. Thimblefinger and His Queer Country (1894) — Mr. Rabbit at Home (1895) — The Story of Aaron (So Named), the Son of Ben Ali (1896) — Aaron in the Wildwoods (1897) 3. The Novels — The Romance of Rockville (1878) — On the Plantation (1892) — Sister Jane (1896) — Gabriel Tolliver (1902) — A Little Union Scout (1904) — Shadow between His Shoulder Blades (1909) — The Bishop and the Boogerman (1909) 4. The Shorter Fiction — Mingo and Other Sketches in Black and White (1884) — Free Joe and Other Georgian Sketches (1887) — Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) — Balaam and His Master and Other Sketches and Stories (1891) — Evening Tales (1893) — Stories of Georgia (1896) — Tales of the Home Folks in Peace and War (1898) — The Chronicles of Aunt Minervy Ann (1899) — Plantation Pageants (1899) — On the Wing of Occasions (1900) — The Making of a Statesman and Other Stories (1902) — Wally Wanderoon and His Story-Telling Machine (1903)

"In this groundbreaking new study, author Brook Thomas argues that literary analysis can enhance our historical understanding of race and Reconstruction. The standard view that Reconstruction ended with the Compromise of 1877 is a retrospective construction. Works of literature provide the perspective of those who continued to see possibilities for its renewal well past 1877. Historians have long tried to reconcile social history's emphasis on the local with political history's emphasis on the national. Literature creates national political allegories while focusing on events in a particular locale. Moreover, the debate over Reconstruction was a debate about state legitimacy as well as specific laws. It was a question of foundational myths as well as foundational legal principles. Literature's political allegories allow us to recreate those debates rather than view the end of Reconstruction as a foregone conclusion. Because many of the issues raised by Reconstruction remain unresolved, those debates continue into the present. Chapters treat how the racial issues raised by Reconstruction are interwoven with debates over state v. national authority, efforts to combat terrorism (the KKK), the paternalism of welfare, economic expansion, and the question of who should rightly inherit the nation's past. Thomas examines authors who opposed Reconstruction, authors who supported it, and authors who struggled with mixed feelings. This exciting text will set the standard in literary historical studies for decades to come"--