Through the years I have had the privilege of knowing some wonderful dogs and cats, bunnies and hamsters, goldfish, birds, cows, horses, ducks, chickens and pigs. This book started out as stories for my grandchildren, and when it was suggested that others might enjoy reading it the idea took hold, and 'Fur, Feathers and Fins' became a reality. All of the stories are true. Some may be hard to believe, some will make you laugh, while others may make you cry. If you've ever shared your life with a pet you know the joy they can bring to you, and if you've never had a pet, I hope you enjoy reading about mine. I have enjoyed writing about them, remembering each one, and shedding a few tears along the way. If you decide that you want to bring a fur friend into your family, please go to the local animal shelter and give a precious kitten, puppy, dog, or cat the forever home they so deserve....

Skye is an energetic, feisty and sassy Weimaraner. Skye is also a loving and caring dog. Find out how Skye helps a new friend named, Birdie, in finding a clever place for her to build her nest.

As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.

My Zoo: A Book of Feelings helps readers identify the emotions they are feeling and be present with them. From angry lions to calm sloths and sad pandas to happy puppies, everyone has a zoo of emotions inside. Some days you might feel like a tiger or elephant, bear or rhino. But other days you may feel like all the animals in the zoo! Featuring colorful, expressive animals, bouncy rhymes, and awesome alliteration, readers will find My Zoo: A Book of Feelings to be a fun read-aloud book covering such emotions as happy, sad, scared, angry, brave, embarrassed, calm, jealous, excited, annoyed, and proud, and guaranteed to be a helpful tool for learning how to identify, accept, and become a zoo-keeper of their own feelings and emotions. This clever and colorful picture book invites kids to look inside themselves and get know their own lion, tiger, bear, sloth, zebra, turtle, and dog and just how wonderfully captivating and instructive those emotions and feelings can be.

This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the author's previous book, The Invention of Culture, is at once symbolic, philosophical, and evolutionary: meaning is a form of perception to which human beings are physically and mentally adapted. Using examples from his many years of research among the Daribi people of New Guinea as well as from Western culture, Wagner approaches the question of the creation of meaning by examining the nonreferential qualities of symbols—such as their aesthetic and formal properties—that enable symbols to stand for themselves.