This is an interdisciplinary study of the state funerals that were celebrated in France between the French Revolution and the death of Francois Mitterand. Its aim is to explain how the funerals of such prominent figures as Voltaire, Napoleon, Gambetta, Hugo, and de Gaulle became major public events that helped to mould the national memory. Combining the insights of anthropologists and sociologists with a historical analysis, it argues that the dual character of the ceremony, a politicalfestival and final rite of passage, turned the state funeral into a gripping event to which few French people could remain indifferent. The book focuses on the republican tradition of state funerals, which emerged in the French Revolution and has continued through the Fifth Republic. Whether in power or in opposition, the republicans used the funerals of their leaders and militants to educate the masses and mobilize public support. This book, the first comprehensive analysis of French state funerals, is also a major contribution to the study of republican culture.

This is an interdisciplinary study of the state funerals that were celebrated in France between the French Revolution and the death of François Mitterand. Its aim is to explain how the funerals of such prominent figures as Voltaire, Napoleon, Gambetta, Hugo, and de Gaulle became major public events that helped to mould the national memory. Combining the insights of anthropologists and sociologists with a historical analysis, it argues that the dual character of the ceremony, a political festival and final rite of passage, turned the state funeral into a gripping event to which few French people could remain indifferent. The book focuses on the republican tradition of state funerals, which emerged in the French Revolution and has continued through the Fifth Republic. Whether in power or in opposition, the republicans used the funerals of their leaders and militants to educate the masses and mobilize public support. This book, the first comprehensive analysis of French state funerals, is also a major contribution to the study of republican culture.

"There are suggestive and interesting contributions ... Historians of modern France and historians interested in the cultural aspects of war will find much to engage with in this stimulating collection." - French History France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.

The Catholic Church has always been a major player in European and world history. Whether it has enjoyed a religious dominance or existed as a minority religion, Catholicism has never been diverted from political life. "Priests, Prelates and People" records the Church struggling to adapt to the new political landscape ushered in by the French Revolution, and shows how the formation of nation states and identities was both helped and hindered by the Catholic establishment. It portrays the Vatican increasingly out of step in the wake of world war, Cold War and the massive expansion of the developing world, with its problems of population growth and under-development.

Contributor Martin Padget's essay: Native Americans, the Photobook and the Southwest: Ansel Adams' and Mary Austin's Taos Pueblo was awarded the 2010 Arthur Miller Essay Prize. This book offers a collection of essays on the interface between literature and photography, as exemplified in important North American texts.

Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.

Many decades have passed since the Palestinian national movement began its political and military struggle. In that time, poignant memorials at massacre sites, a palimpsest of posters of young heroes and martyrs, sorrowful reminiscences about lost loved ones, and wistful images of young men and women who fought as guerrillas, have all flourished in Palestinian refugee camps in Lebanon and in the Occupied Palestinian Territories. Heroes and Martyrs of Palestine tells the story of how dispossessed Palestinians have commemorated their past, and how through their dynamic everyday narrations, their nation has been made even without the institutional memory-making of a state. Bringing ethnography to political science, Khalili invites us to see Palestinian nationalism in its proper international context and traces its affinities with Third Worldist movements of its time, while tapping a rich and oft-ignored seam of Palestinian voices, histories, and memories.