Misa Nanase is a normal senior high school student except for the fact that she is a self-proclaimed ultimate-mega-ultra-omnipotent fujoshi queen of the intergalactic multiverse. One fateful day, she saves an old lady from getting hit by a car. In return, the old lady gives her an ocean green pendant and mentions that she can make any wish using it. Later on, the curiosity of the fujoshi gets the best of Misa...and she wishes to become a guy! How will Misa survive and navigate the world as a guy? Will she finally be able to do a live action BL that she has fantasized? I guess you have to read and find out ;)

Misa Nanase is a normal senior high school student except for the fact that she is a self-proclaimed ultimate-mega-ultra-omnipotent fujoshi queen of the intergalactic multiverse. One fateful day, she saves an old lady from getting hit by a car. In return, the old lady gives her an ocean green pendant and mentions that she can make any wish using it. Later on, the curiosity of the fujoshi gets the best of Misa...and she wishes to become a guy! How will Misa survive and navigate the world as a guy? Will she finally be able to do a live action BL that she has fantasized? I guess you have to read and find out ;)----Misa and Kazuo Arata are on their first night as a married couple. What are they planning to do?Can Kazuo finally put it in?

Keiji is the type of guy who takes on life as a game. He's not afraid to try new things and experiment. This happy-go-lucky lifestyle sometimes gets him into trouble, but who cares? You're only young once.Until one day, one unlucky mistake has led him to the emergency room. Embarrassed with his current "situation", he stumbles upon a young and sexy doctor, Axel, to help him out. What is this "situation"? And is this the start of Keiji's spring time? I guess you have to read and find out!

Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the “beautiful boy” has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. In recent decades, “Boys Love” (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of “boys love,” and are rapidly gaining an audience throughout Asia and globally. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.

From Nausicaä to Sailor Moon, understanding girl heroines of manga and anime within otaku culture.

Since the end of the Second World War—and particularly over the last decade—Japanese science fiction has strongly influenced global popular culture. Unlike American and British science fiction, its most popular examples have been visual—from Gojira (Godzilla) and Astro Boy in the 1950s and 1960s to the anime masterpieces Akira and Ghost in the Shell of the 1980s and 1990s—while little attention has been paid to a vibrant tradition of prose science fiction in Japan. Robot Ghosts and Wired Dreams remedies this neglect with a rich exploration of the genre that connects prose science fiction to contemporary anime. Bringing together Western scholars and leading Japanese critics, this groundbreaking work traces the beginnings, evolution, and future direction of science fiction in Japan, its major schools and authors, cultural origins and relationship to its Western counterparts, the role of the genre in the formation of Japan’s national and political identity, and its unique fan culture. Covering a remarkable range of texts—from the 1930s fantastic detective fiction of Yumeno Kyûsaku to the cross-culturally produced and marketed film and video game franchise Final Fantasy—this book firmly establishes Japanese science fiction as a vital and exciting genre. Contributors: Hiroki Azuma; Hiroko Chiba, DePauw U; Naoki Chiba; William O. Gardner, Swarthmore College; Mari Kotani; Livia Monnet, U of Montreal; Miri Nakamura, Stanford U; Susan Napier, Tufts U; Sharalyn Orbaugh, U of British Columbia; Tamaki Saitô; Thomas Schnellbächer, Berlin Free U. Christopher Bolton is assistant professor of Japanese at Williams College. Istvan Csicsery-Ronay Jr. is professor of English at DePauw University. Takayuki Tatsumi is professor of English at Keio University.