The story of four people living in a violent district of San Francisco, trying to figure out who they are as people while battling their pasts and their addictions.

The United States has survived clueless presidential administrations before. But no matter how enormous the crisis -- the Great Depression, Vietnam, Watergate, Monica Lewinsky's thong -- America's always come out looking like, well, America. This time, however, something's different. Things aren't just screwed up; they're f&#!$d up beyond all recognition. Wel-come to F.U.B.A.R., a hilarious and scathing satire of the American Right's bad behavior, by the creators of Air America's Majority Report. If you're a liberal who's somehow not panicked over the state of our Union, or if you're a Republican who's just having voter's remorse, or if you think what's happening to the country is just politics as usual, F.U.B.A.R. will open your eyes to our current national nightmare. With completely unfair and unbalanced analysis, authors Sam Seder and Stephen Sherrill take readers on a whirlwind tour of what's left of the United States, exposing the truth about the Right's blueprint for total domination -- over your money, your mind, your sex life, and even your place in the afterlife (yes, they have a plan for that, too). Along the way, they'll answer your most pressing questions, like: I'm gay. Can I still be a Republican? Do I need to own my own congressman, or is a time share okay? Is New York Times columnist Thomas L. Friedman's mustache, in fact, the sign of the Beast? I thought we ran the media. What happened? Finally, Seder and Sherrill offer a helpful and hopeful vision for a future that remarkably doesn't look like a cross between the Matrix and Mayberry. F.U.B.A.R. is the wake-up call America has been waiting to receive -- and it will probably be wiretapped.

"F***ed Up Beyond All Recognition takes a frank look at the slang used by men on the ground and shows how they managed to retain their sense of humor, black though it may have been."--Page 4 of cover

`FUBAR is the story of Thor Evensens ruin and recovery, of Rachel Risdahls fateful choice between two men, and of Rachels daughter Glenda growing up wiser and stronger than her mother. Its set in the Seattle high-tech suburbs of Bellevue and Redmond, in the mid-1990s. Once Thor had been a successful engineering manager, with a wife and three children and a big new house. He loses it all within the space of three weeks: Hes downsized out of his job, his headstrong small son Thor Jr. has a fatal accident while in his care, and his bitter wife Marie sues him for divorce. Abruptly, Thor is reduced to a struggling newly-single guy, initially unemployed and staying with his parents, and then moving to a rented room. When he does find a new position, its a manufacturers-representative sales job for which he considers himself ill-suited. At first he feels overwhelmed and beaten. He tells his parents that his life is FUBAR (Fouled Up Beyond All Repair, in the polite version). But they refuse to let him give up on himself. He works hard to make a go of it, and his fortunes slowly improve. He even buys a small condo. While driving back from a sales trip to Spokane, hes caught in a blizzard in Snoqualmie Pass, and forced off the road by a reckless driver into a deep snowdrift. He rents the last available room in a nearby ski lodge, and winds up sharing it chastely with Rachel Risdahl, R.N., after her car quits. Thor and Rachel hit it off well, go out to dinner on the following day after theyre both back in Seattle, and begin a passionate relationship. Rachel is beautiful, but has poor self-esteem. Shes very self-conscious about being half Tlingit Native American, despite her Norwegian surname. A few days later, Thor and Rachel are preparing Christmas dinner in her townhouse, when her rich and abusive ex-boyfriend Skip Eastman shows up. Theres a melee; her spunky high-school-senior daughter Glenda calls the police. They arrive. Skip flees, and is arrested on his way home, but posts bail. Three months later, while Thor is out of town on business during bad weather, Skip reappears and gets Rachel back by bribing her with a two-week trip to Hawaii. Thor telephones Rachel from Spokane and reaches Glenda. Glenda is outraged at her mother for going back to Skip. She pleads with Thor to keep on being her surrogate stepfather, at her school events. Thor is devastated, but tries to pick himself up and go on. He has a brief fling with his firms office manager, and goes out with his bosss sexy cousin for a few weeks. Skip beats Rachel severely; shes hospitalized. But when she gets out, she goes back to Skip and even moves in with him. Rachel gets fired from her job. Her ex-husband dies and leaves her and Glenda well off. Glenda remains living in Rachels townhouse, renting an extra bedroom to a classmate from Japan. Thor teams up, innocently, with the two attractive girls for most of his social life. Thors small daughter Tonja comes along, whenever Thor has her for visitation. Glenda is gorgeous, like her mother. Thor has an insistent and powerful undercurrent of sexual feelings for her, but scrupulously conceals them. Skip beats Rachel up yet once again, and then leaves on a two-day business trip. Rachel splits with him, packs her things, and returns to her own townhouse. Skip comes home early and discovers Rachels goodbye note to him, heads over there in a murderous rage, and chops through her front door with an axe. Glenda flees through an upstairs window. Rachel stays behind, calmly insisting that she can handle him. Glenda calls the police on her cellular telephone. While shes speaking with the dispatcher, she hears several gunshots; soon after that, sirens. She seeks refuge at Thors place. Skip drives away at high speed, pursued by four police cars, and has a fatal rollover accident

The waters of renewal sometimes course through the unlikeliest of settings. In the short story, “FUBAR,” we’re taken to a desolate building in a drab industrial complex, where a lonely office worker gains a fresh perspective on life thanks to the intervention of his free-spirited new female assistant. “FUBAR” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.

She was pregnant and alone…and sick. Yup. Maggie had gone from single and carefree to chained to a porcelain goddess to…wondering what the hell she was doing with her life. At least until Carter Jackson strolled into her world. He was gorgeous, funny, and good—the type of guy she once would have dreamed of riding in on his white stallion and saving her. But she’d given up on happy endings. Only…Carter was determined to give her one anyway.

Brit is dragged into the middle of a globe-spanning battle with The Emperor - with the fate of an Alternate Earth hanging in the balance! And, Invincible, Tech Jacket, and The Astounding Wolf-Man are all brought along for the ride! Also in this volume, at long-last - the origin of Brit! This volume collects BRIT issues #7-12.