In Frozen in Time, Susan Snow Lukesh takes a mid-nineteenth century photo album from New Bedford, Massachusetts, created against an almost unmentioned backdrop of the Civil War, and moves the people seemingly frozen in time backwards and forwards, offering details of daily living, marrying, working, and dying of both the individuals whose portraits are included as well as their kin and colleagues. The details of daily living, of the marrying, working, and dying of the neighbors and kin in the photo album from New Bedford, demonstrate the personal side of the development of this famous whaling capital through its transition to a strong mill economy. These details also show how the financial and intellectual capital of the city fueled development throughout the United States. This album with its very small cast of neighbors and kin thus unfolds to offer a glimpse of the rich panorama of nineteenth-century New Bedford. The biographical sketches of the onstage and offstage players combined with the histories presented (of New Bedford, of nineteenth-century social media, and of the album itself) reveal a snapshot of New Bedford’s citizens, New Bedford’s history and industries, and, importantly, New Bedford’s part in the Civil War. Frozen in Time presents local history in the broader context of the United States and can be seen as well as an example of petite histoire – an account of particular households and neighborhoods, reminding readers of the continuing importance of both family and neighborhoods, real or virtual. The discussion of nineteenth-century social media also shows those in the twenty-first century that Facebook can be seen as old social media on a new platform. The photographs from the time of the Civil War underscore the arc of photography from its first use capturing images of war to its present use to record violence perpetuated on and perpetuated by police and others at home and around the world. Lukesh was entrusted with the family album that is the basis for Frozen in Time and used her experience in research, artifact interpretation, and writing to develop the narrative of the book. She hopes readers will take away the importance and value of both family and history, as well as the part of the family in history.

Brings to light the hidden histories of two generations of women photographers in 19th-century America For all interested in photographic, 19th-century American, and women's history Includes stories of amazing ingenuity, including using a skirt as a “portable darkroom”

If you like unusual travel books, then you’ll enjoy Susan Snow Lukesh's study of her great aunt Agatha Snow's sketch book developed during her 3-month tour of Europe with three companions in 1912. In Agatha! Agatha Snow Abroad: A Sketch Book from her 1912 EuropeanTour, Lukesh presents and explores the original images and brief comments, pulling threads to explore what the often-cryptic comments mean. Agatha! also explores the people she and her friends met and briefly traveled with, and what happened to the various players in this trip after it ended as the world moved into the first World War and even beyond. Although their steam ship left New York harbor barely two days after the Titanic sank and before the survivors arrived, no recorded comments from the passage to Europe mention the tragedy. Contemporary postcards and one early 19th c print complement Agatha's drawings and show how close her small sketches came to the actual sites she portrayed. The small sketch book, not even four by six inches, presents images—some with incredible detail that is best seen when the original image is enlarged, causing a reader to shake his or her head and wonder how she did it. Her favorite subjects are people and as many folks who travel know part of the fascination and interest in travel is encountering people who are quite different from those we know at home. And certainly, Agatha's images, in fact caricatures, of people capture and convey her clear fascination with the people she encountered. Agatha! supplements Agatha's comments and descriptions with diary entries and letters sent home by other contemporary accounts further enriching what may first appear as a meager offering, if judged only by size. Agatha’s sketch book, and the exploration of it, offer a snapshot of life in the early 1900s during the Edwardian era—where and how folks traveled, what travelers discussed, what they did, and what they ate. Lukesh also traveled on a couple occasions to some of the very places that Agatha and companions visited. On one occasion, she found herself traveling in one of the railway cars and on the very line—both now under restoration—that Agatha and companions traveled in England. Also, in England, she traveled to see Warwick where Agatha had seen and drawn two wonderful sketches of men on the streets of that fine historic town. Agatha! not only presents the original sketches and brief comments from over 100 years ago, but includes solutions to puzzles that Agatha left us, such as what is the story of Mrs. Campbell and the Cockroaches in the Cabin, what is A.B.C., and what are horse-tail guards? Agatha!fulfills a reader's need to know what happened to the folks Agatha met and now the readers meet on the trip—both those on the ship passages to and from Europe and those met along the way in Europe. As much as possible, using public records, the lives of some of them after the trip, through World War 1 and the years after, are traced, as are the fates of the ships that carried the travelers. Not every puzzle has been solved, leaving some for readers, but many are, with great thanks to internet resources these days and Lukesh's ability to use public records for genealogical purposes and answers. A final bonus in Agatha! For decades Lukesh excavated and studied the things left behind by prehistoric folks in Southern Italy and Sicily. Today her attention has turned to things left behind by her ancestors. From a gold bracelet she wears, to an 1860s photo album, and to this sketch book of her great aunt Agatha. This exploration of a tour by four women in their 20s over 100 years ago gives insight on restoring pieces of family history based on things left behind, offering a template for organizing similar genealogy research.

This collection is the first of its kind to interrogate both literal and metaphorical transatlantic exchanges of culture and ideas in nineteenth-century girls’ fiction. As such, it initiates conversations about how the motif of travel in literature taught nineteenth-century girl audiences to reexamine their own cultural biases by offering a fresh perspective on literature that is often studied primarily within a national context. Women and children in nineteenth-century America are often described as being tied to the home and the domestic sphere, but this collection challenges this categorization and shows that girls in particular were often expected to go abroad and to learn new cultural frames in order to enter the realm of adulthood; those who could not afford to go abroad literally could do so through the stories that traveled to them from other lands or the stories they read of others’ travels. Via transatlantic exchange, then, authors, readers, and the characters in the texts covered in this collection confront the idea of what constitutes the self. Books examined in this volume include Adeline Trafton’s An American Girl Abroad (1872), Johanna Spyri’s Heidi (1881), and Elizabeth W. Champney’s eleven-book Vassar Girl Series (1883-92), among others.

"Susan Snow Lukesh takes a mid-nineteenth century photo album from New Bedford, Massachusetts, created against a backdrop of the Civil War, and moves the people seemingly frozen in time backwards and forwards. The details of daily living, of marrying, working, and dying of the individuals in the album demonstrate the personal side of the development of this famous whaling capital through its transition to a strong mill economy. These details also show how the financial and intellectual capital of the city fueled development throughout the United States" -- Back cover.

Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women

Agatha! presents a sketch book developed during Agatha's tour of Europe with three companions in 1912. It includes her original images and cryptic comments, discussions of the comments, the people she met traveling in the early 20th c.