When Horace Greeley published his famous imperative, “Go West, young man, and grow up with the country,” the frontier was already synonymous with a distinctive type of idealized American masculinity. But Greeley’s exhortation also captured popular sentiment surrounding changing ideas of American boyhood; for many educators, politicians, and parents, raising boys right seemed a pivotal step in securing the growing nation’s future. This book revisits these narratives of American boyhood and frontier mythology to show how they worked against and through one another—and how this interaction shaped ideas about national character, identity, and progress. The intersection of ideas about boyhood and the frontier, while complex and multifaceted, was dominated by one arresting notion: in the space of the West, boys would grow into men and the fledgling nation would expand to fulfill its promise. Frontiers of Boyhood explores this myth and its implications and ramifications through western history, childhood studies, and a rich cultural archive. Detailing surprising intersections between American frontier mythology and historical notions of child development, the book offers a new perspective on William “Buffalo Bill” Cody’s influence on children and childhood; on the phenomenon of “American Boy Books”; the agency of child performers, differentiated by race and gender, in Wild West exhibitions; and the cultural work of boys’ play, as witnessed in scouting organizations and the deployment of mass-produced toys. These mutually reinforcing and complicating strands, traced through a wide range of cultural modes, from social and scientific theorizing to mass entertainment, lead to a new understanding of how changing American ideas about boyhood and the western frontier have worked together to produce compelling stories about the nation’s past and its imagined future.

When Horace Greeley published his famous imperative, “Go West, young man, and grow up with the country,” the frontier was already synonymous with a distinctive type of idealized American masculinity. But Greeley’s exhortation also captured popular sentiment surrounding changing ideas of American boyhood; for many educators, politicians, and parents, raising boys right seemed a pivotal step in securing the growing nation’s future. This book revisits these narratives of American boyhood and frontier mythology to show how they worked against and through one another—and how this interaction shaped ideas about national character, identity, and progress. The intersection of ideas about boyhood and the frontier, while complex and multifaceted, was dominated by one arresting notion: in the space of the West, boys would grow into men and the fledgling nation would expand to fulfill its promise. Frontiers of Boyhood explores this myth and its implications and ramifications through western history, childhood studies, and a rich cultural archive. Detailing surprising intersections between American frontier mythology and historical notions of child development, the book offers a new perspective on William “Buffalo Bill” Cody’s influence on children and childhood; on the phenomenon of “American Boy Books”; the agency of child performers, differentiated by race and gender, in Wild West exhibitions; and the cultural work of boys’ play, as witnessed in scouting organizations and the deployment of mass-produced toys. These mutually reinforcing and complicating strands, traced through a wide range of cultural modes, from social and scientific theorizing to mass entertainment, lead to a new understanding of how changing American ideas about boyhood and the western frontier have worked together to produce compelling stories about the nation’s past and its imagined future.

Mischa Honeck's Our Frontier Is the World is a provocative account of how the Boy Scouts echoed and enabled American global expansion in the twentieth century.The Boy Scouts of America (BSA) has long been a standard bearer for national identity. The...

One of the great lawmen of the Old West, Bob Paul (1830–1901) cast a giant shadow across the frontiers of California and Arizona Territory for nearly fifty years. Today he is remembered mainly for his friendship with Wyatt Earp and his involvement in the stirring events surrounding the famous 1881 gunfight near the OK Corral in Tombstone, Arizona. This long-overdue biography fills crucial gaps in Paul’s story and recounts a life of almost constant adventure. As told by veteran western historian John Boessenecker, this story is more than just a western shoot-’em-up, and it reveals Paul to be far more than a blood-and-thunder gunfighter. Beginning with Paul’s boyhood adventures as a whaler in the South Pacific, the author traces his journey to Gold Rush California, where he served respectively as constable, deputy sheriff, and sheriff in Calaveras County, and as Wells Fargo shotgun messenger and detective. Then, in the turbulent 1880s, Paul became sheriff of Pima County, Arizona, and a railroad detective for the Southern Pacific. In 1890 President Benjamin Harrison appointed him U.S. marshal of Arizona Territory. Transcending local history, Paul’s story provides an inside look into the rough-and-tumble world of frontier politics, electoral corruption, Mexican-U.S. relations, border security, vigilantism, and western justice. Moreover, issues that were important in Paul’s career—illegal immigration, smuggling on the Mexican border, youth gangs, racial discrimination, ethnic violence, and police-minority relations—are as relevant today as they were during his lifetime.

"One of the first photographers to cross the American frontier, Timothy H. O'Sullivan met the challenge of the West's grandeur and mystery by creating landscapes of compelling subtlety and original vision. From 1867 to 1874, as photographer to the King and Wheeler geological surveys, O'Sullivan traveled thousands of miles, from San Francisco to Colorado, from the Arizona Indian territory to Idaho's Snake River. He made more than one thousand photographs in the field, ranging from scenes of the deserts of Nevada and California, the heights of the Humboldt Mountains, and torrential waters of Shoshone Falls to pictures taken inside mines illuminated by magnesium flares. O'Sullivan's western photographs represent not only an explorer's first encounter with a startling new terrain, but also an artist's vision of the power of Nature, at once threatening and awesome ... American Frontiers includes more than 80 photographs, many of them published here for the first time. Other O'Sullivan negatives, never printed in the photographer's lifetime, are represented in prints made especially for this book at the National Archives in Washington, D.C. by the original albumen process. In Joel Snyder's insightful text reveals new research that sheds light on this little known but important figure and relates O'Sullivan's work to theories of esthetics and American culture of the nineteenth century"--Jacket flap.

In THIS RIVER GOES TWO WAYS, Martin Woodside brings together a diverse collection of verse, balancing an impressive array of tones and styles. Culled largely from travels in Romania, the poems here survey disparate landscapes with a restless energy. Woodside delves deeply into our most important relationships, between people themselves and the places they live in. Fervent and meditative, he exposes the world from a train window or the kitchen table with the same probing clarity.