The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.

From The Birth Of A Nation To The Death Of Journalism Since its founding by a bloodthirsty tyrant in 1756, The Onion has not merely changed the way we think about the news -- it has changed whether we think about the news at all. As the first decade of this new millennium draws to a close, Our Front Pages shows us the first thing that presidents, kings, prime ministers, and popes saw when they opened their eyes each morning for the last 21 years. Now you, the common reader and citizen, can see what they saw and be as informed as they were with this important retrospective of the past two decades. You, too, will realize what generations before have realized and generations yet unborn will some day realize in turn: The Onion is not merely the chronicle of America. The Onion is America.

Twelve-year-old Delilah James is one of the top reporters at Brighton Junior Academy and dreams of becoming a Junior Global Journalist. But when an international rival named Ava invades her newsroom and takes over her crush, Delilah finds an unlikely ally in the Debutantes - a.k.a. the Little Debbies.

This is the last of Hemingway's manuscripts to be published in its entirety. Editors Lewis and Fleming have taken great pains to publish as complete and faithful a publication as possible without editorial distortion. Hemingway called this title his "African Book." It is a thoughtful, adventuresome, and comedic recounting of his final safari in Africa.

From Simon & Schuster, Behind the Front Page is David S. Broder's candid look at how the news is made. The author, Pulitzer Prize-winning reporter David S. Broder, looks at how the press handled various political stories of the seventies, and discusses the ethical issues faced by journalists—an exploration just as relevant now as it was then.

* An Agatha Award Nominee for Best First Novel * A CRACKLING GOOD MYSTERY... "LynDee Walker sure knows her way around a plot twist. She kept me turning pages late into the night, following the rollercoaster adventures of her fashionably feisty heroine...smart, funny, and loaded with surprises." - Laura Levine, Author of the Jaine Austen Mystery Series Crime reporter Nichelle Clarke's days can flip from macabre to comical with a beep of her police scanner. Then an ordinary accident story turns extraordinary when evidence goes missing, a prosecutor vanishes, and a sexy Mafia boss shows up with the headline tip of a lifetime. As Nichelle gets closer to the truth, her story gets more dangerous. Armed with a notebook, a hunch, and her favorite stilettos, Nichelle races to splash these shady dealings across the front page before this deadline becomes her last. Praise for FRONT PAGE FATALITY: "Delightful, with engaging characters, a crackling good mystery, and of course, high, high heels. LynDee Walker writes with wit and intelligence and the confidence of a newsroom insider. What fun!" - Harley Jane Kozak, Agatha, Anthony, and Macavity Award-Winning Author of Dating Dead Men and Keeper of the Moon "This is a joy to read: Nichelle is a likeable character who does put her nose into whatever seems curious to her...the book can be read in one sitting thanks to the easy and casual language the author has employed in writing the book. Highly recommended to the fans of cozy mysteries!" - Mystery Tribune "Gives those designer shoes a workout! Nicey's adventure kept me guessing. Goes down as smooth as hot chocolate with whipped cream." - Alice Loweecey, Author of the Falcone and Driscoll Investigations "I loved this book, Nichelle is such a strong character, able to stand up to herself no matter what. The interaction between Bob, her boss, and Nichelle is awesome and you can see how much they care for each other. My favorite part of the book was a fight scene, not going to ruin it for you, that you just have to read." - Cozy Mystery Book Reviews Books in the Headlines in High Heels Humorous Mystery Series: FRONT PAGE FATALITY (#1) BURIED LEADS (#2) DATELINE MEMPHIS (novella after BURIED LEADS in HEARTACHE MOTEL) SMALL TOWN SPIN (#3) DEVIL IN THE DEADLINE (#4) January 2015 Part of the Henery Press Mystery Series Collection, if you like one, you'll probably like them all...

The last presidential campaign of the nineteenth century was remarkable in a number of ways. -It marked the beginning of the use of the news media in a modern manner. -It saw the Democratic Party shift toward the more liberal position it occupies today. -It established much of what we now consider the Republican coalition: Northeastern, conservative, pro-business. It was also notable for the rhetorical differences of its two candidates. In what is often thought of as a single-issue campaign, William Jennings Bryan delivered his famous "Cross of Gold" speech but lost the election. Meanwhile, William McKinley addressed a range of topics in more than three hundred speeches--without ever leaving his front porch. The campaign of 1896 gave the public one of the most dramatic and interesting battles of political oratory in American history, even though, ironically, its issues faded quickly into insignificance after the election. In From the Front Porch to the Front Page, author William D. Harpine traces the campaign month-by-month to show the development of Bryan's rhetoric and the stability of McKinley's. He contrasts the divisive oratory Bryan employed to whip up fervor (perhaps explaining the 80 percent turnout in the election) with the lower-keyed unifying strategy McKinley adopted and with McKinley's astute privileging of rhetorical siting over actual rhetoric. Beyond adding depth and detail to the scholarly understanding of the 1896 presidential campaign itself (and especially the "Cross of Gold" speech), this book casts light on the importance of historical perspective in understanding rhetorical efforts in politics.