A million-selling title all about the wonderful beads, buttons and beasties you can make (and then bake to permanence) with polymer clay. More than 150 projects are described and illustrated in lavish detail.

"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.

Readers will discover the great principles God reveals about His work in His people through the book of Judges.

Taylor G. Petrey's trenchant history takes a landmark step forward in documenting and theorizing about Latter-day Saints (LDS) teachings on gender, sexual difference, and marriage. Drawing on deep archival research, Petrey situates LDS doctrines in gender theory and American religious history since World War II. His challenging conclusion is that Mormonism is conflicted between ontologies of gender essentialism and gender fluidity, illustrating a broader tension in the history of sexuality in modernity itself. As Petrey details, LDS leaders have embraced the idea of fixed identities representing a natural and divine order, but their teachings also acknowledge that sexual difference is persistently contingent and unstable. While queer theorists have built an ethics and politics based on celebrating such sexual fluidity, LDS leaders view it as a source of anxiety and a tool for the shaping of a heterosexual social order. Through public preaching and teaching, the deployment of psychological approaches to "cure" homosexuality, and political activism against equal rights for women and same-sex marriage, Mormon leaders hoped to manage sexuality and faith for those who have strayed from heteronormativity.

Banished from her clan for being a Muslim, a 400 year-old jinn named Zamar is hiding from her past. But an ancient evil is about to surface, unearthing her secrets and carrying painful reminders of the life she once lived. Ages ago, Zamar had lived in solitary exile along the banks of the Senegal River. Then a lone man entered her world, altering it forever. Spanning several centuries, book one of Fire & Clay, pulls you into the unseen world of mankind's distant cousins, the jinn. Like humans, these beings were given the gift of free will. And like us there are a few that choose the way of good, some that choose the way of evil, and many that live their lives torn between the two. But what happens when the lives of creatures cast from smokeless fire, and those shaped from the clay of the Earth become intertwined? The story told here takes readers on a journey of mystery, imagination, and magic to search for the answers. It plunges into the depths of jealousy, fear, and greed-as well as violence, sorrow, and loss. But it also scales the heights of love and faith, hope and deliverance. This story may be fictional, but it is true. Its truths are about what it means to be human, what it means to have the power to choose. Fire & Clay is no mere fairytale. What we can see, touch, and taste is only a narrow sliver of reality. There is a war being fought all around us, even within us. And sooner than we might think, our final battle is coming.

Formulating, mixing, applying and firing clay boolies and glazes.

In this modern-day fable about grief, diversity, and family connections, a young girl discovers the joys--and pain--of the creative process. Winner of the Bookstagang Best of 2021: Best Conversation Starter Picture Books of 2021. Longlisted for the Klaus Flugge Prize. Ezra Jack Keats Award Honoree. Eisha lives with her mother, a ceramic artist, who helps her make a special shape out of a piece of clay. The shape reminds Eisha of her father, of the ocean, of a lemon. As Eisha goes through her neighborhood doing errands with her mother, the piece of clay hardens and then shatters into pieces when Eisha taps it. In poignant and powerful words and pictures, Kenesha Sneed shows how Eisha learns to live with the sense of loss and of the joyful power of making something new out of what is left behind. Illustrated with Sneed's bold colors, graphic lines, and gestural textures, the book celebrates diversity and shares a gentle message that we all have the ability to heal and create.