“Istanbul, Istanbul turns on the tension between the confines of a prison cell and the vastness of the imagination; between the vulnerable borders of the body and the unassailable depths of the mind. This is a harrowing, riveting novel, as unforgettable as it is inescapable.” —Dale Peck, author of Visions and Revisions “A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.” —John Ralston Saul, author of On Equilibrium; former president, PEN International “Istanbul is a city of a million cells, and every cell is an Istanbul unto itself.” Below the ancient streets of Istanbul, four prisoners—Demirtay the student, the doctor, Kamo the barber, and Uncle Küheylan—sit, awaiting their turn at the hands of their wardens. When they are not subject to unimaginable violence, the condemned tell one another stories about the city, shaded with love and humor, to pass the time. Quiet laughter is the prisoners’ balm, delivered through parables and riddles. Gradually, the underground narrative turns into a narrative of the above-ground. Initially centered around people, the book comes to focus on the city itself. And we discover there is as much suffering and hope in the Istanbul above ground as there is in the cells underground. Despite its apparently bleak setting, this novel—translated into seventeen languages—is about creation, compassion, and the ultimate triumph of the imagination.

The jails in Turkey have long been mentioned in the same breath as inhumane actions and the breach of even the most basic rights, especially against the political prisoners. The violations have reached to unprecedented levels in parallel with the emergence of the current political-Islamist authoritarianism. The oppressive regime under President Recep Tayyip Erdoğan’s rule instrumentalized the country’s legal system to muzzle the political dissidence, turning the prisons into concentration camps. The number of inmates behind the bars has reached historic highs. Hosting convicts much more than their capacities, the prisons, which were already substantially subpar, have fallen way below the minimum acceptable standards for human dignity. Patients in particular bore the most of the brunt of this precipitated deterioration of the prison conditions and the wrath of the Turkish regime against its opponents.

Although international human rights and humanitarian law consistently prohibit torture under any circumstance, torture and ill-treatment are practiced in more than half the world's countries. This manual was developed to enable states to address one of the most fundamental concerns in protecting individuals from torture - effective documentation. The Istanbul Protocol is intended to serve as international guidelines for investigating cases of alleged torture and for reporting findings to the judiciary or any other investigative body.

"This book offers the first significant examination of the rise of neo-nationalism and its impact on the missions, activities, behaviors, and productivity of leading national universities. This book also presents the first major comparative exploration of the role of national politics and norms in shaping the role of universities in nation-states, and vice versa, and discusses when universities are societal leaders or followers-in promoting a civil society, facilitating talent mobility, in researching challenging social problems, or in reinforcing and supporting an existing social and political order"--

Freedom of the press

"Aslı Erdoğan is an exceptionally perceptive and sensitive writer who always produces perfect literary texts."—Orhan Pamuk "One volume of short stories, The Stone Building and Other Places has become a bestseller in Turkey."—The New York Times "Beautifully written and honestly told, as tender as the tulip gardens of Istanbul and as brave as the human heart."—Elif Safak, author of The Forty Rules of Love Three interconnected stories feature women whose lives have been interrupted by forces beyond their control. Exile, serious illness, or the imprisonment of one's beloved are each met with versions of strength and daring, while there is no undoing what fate has wrought. These atmospheric, introspective tales culminate in an experimental, multi-voiced novella, whose "stone building" is a metaphor for the various oppressive institutions—prisons, police headquarters, hospitals, and psychiatric asylums—that dominate the lives of all of these characters. Here is a literary distillation of the alienation, helplessness, and controlled fury of exile and incarceration—both physical and mental—presented in a series of moving, allegorical portraits of lives ensnared by the structures of power. Aslı Erdoğan (Istanbul, 1967) was arrested and imprisoned by the Turkish government in a sweeping roundup of dissident voices after the failed coup attempt of July 2016. The subject of both PEN International and PEN America advocacy campaigns, she has published novels, collections of short stories and poetic prose, and selections from her political essays. As a journalist, she has covered controversial topics such as state violence, discrimination, and human rights, for which she has been persecuted in a variety of ways.