Feminist practical theology has emerged in the gap between wider feminist and wider practical theology. It celebrates distinctive concerns, arguments, emphases, and questions – unafraid to re-form practical theology in shape and substance, and to guide feminist theology towards the silences and stories of human lives that some professional theologies (including those shaped by feminist commitments) sometimes overlooks. Feminist practical theology is bold in exploration of doctrinal themes in poetic and prayerful modes, characteristically collaborative and in search of alliances with other advocacy perspectives. In the UK, such commitments have been exemplified by Nicola Slee, whom this volume honours. Chapters invite readers into wide ranging conversations that flow from young women’s experiences at university, poetic practice as theology, queer priesthood, theologies of critical masculinities, women presiding in worship, Black and decolonial theologies adjacent to feminist convictions, confrontations with sexual violence, rest and rewilding, and a post-menopausal Mary. Contributors are: Al Barrett, Gavin D’Costa, Deborah Kahn-Harris, Michael N. Jagessar, Sharon Jagger, Rachel Mann, Jenny Morgans, Eleanor Nesbitt, Karen O’Donnell, Mark Pryce, Anthony G. Reddie, Ruth Shelton, Anne Phillips and Alison Wooley.

Silence on the Shores depicts the final day in the life of a Maghrebian immigrant in France. Having crossed the Mediterranean to "the other shore" as a young man to find work, he ultimately remained in France, married a French woman, and broke the promise he made to his mother to return home one day. Aware that death is drawing close, he fears experiencing the ultimate form of exile: dying alone, with no fellow Muslim at his side to whisper the customary prayer for the dead in his ear. Le la Sebbar?s minimalist style deftly and powerfully conveys the simplicity of everyday life on both shores of the Mediterranean. Interweaving several monologues, she examines multiple facets of exile and the role of memory in easing its pain.

The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."

This is the story of a young English lutenist named Peter Claire who, in 1629, arrives at the Danish Court to join King Christian IV's Royal Orchestra.

The mount of Captain Miles W. Keogh, Comanche was the legendary sole survivor of Custer's Last Stand. As such, the horse makes an electric connection between history and memory. In exploring the deeper meaning of the Comanche saga, His Very Silence Speaks addresses larger issues such as the human relationship to animals and nature, cross-cultural differences in the ways animals are perceived, and the symbolic use of living and legendary animals in human cognition and communication. More than an account of the celebrated horse's life and legend existence, this penetrating volume provides insights into the life of the cavalry horse and explores the relationship between cavalrymen and their mounts. Lawrence illuminates Comanche's significance through the many symbolic roles he has assumed at different times and for various groups of people, and reveals much about the ways in which symbols operate in human thought and the manner in which legends develop.

Poet, short story writer, critic and novelist, Conrad Aiken (1889-1973) has been called the most metaphysical, the most learned, and the most modern of poets. With writing that reflects an intense interest in psychological, philosophical, and scientific issues, Aiken remains a unique influence upon modern writers and critics today. In his lifetime, Aiken received many awards including the Pulitzer Prize for Poetry in 1930 and the National Book Award for Poetry in 1954. He served as the Consultant in Poetry at the Library of Congress from 1950-1952. Selected Poems contains Aiken's own choice of the best and most representative of his poems, spanning more than forty years of his work. Harold Bloom has contributed a new Foreword to reintroduce Aiken to a new generation of readers. The inclusion of several pivotal poems from previous editions broadens the scope of the work to represent Aiken's legacy.

Titan is practically a planet in its own right, with a diameter similar to that of Mercury, methane rainstorms, organic soot and ethane seas. All of the most detailed knowledge on the moon's geology, volcanology, meteorology, marine sciences and chemistry are gathered together here to paint a factually accurate hypothetical future of early human colonization on this strange world. The views from Titan’s Mayda Outpost are spectacular, but all is not well at the moon's remote science base. On the shore of a methane sea beneath glowering skies, atmospherics researcher Abigail Marco finds herself in the middle of murder, piracy and colleagues who seem to be seeing sea monsters and dead people from the past. On the Shores of Titan’s Farthest Sea provides thrills, excitement and mystery – couched in the latest science – on one of the Solar System’s most bizarre worlds, Saturn’s huge moon Titan. "This riveting story, set against a plausibly well integrated interplanetary space, carries us along with its bright and interesting characters. We feel absolutely transported to a hauntingly beautiful and alien Titan through Carroll's masterful weaving of art and science." – Jani Radebaugh, Professor of Planetary Sciences, Titan dune expert, BYU "It's a fun read! Really makes Titan come alive, literally..." – Astrophysicist and author Ralph Lorenz "Michael Carroll's new novel "On the Shores of Titan's Farthest Sea" (Springer) is a gripping, good-vs-evil tale that sparkles with imagination. It's set on the shores of Kraken Mare, the vast methane sea found high in the northern latitudes of Saturn's moon, Titan, in a future when humanity has spread throughout the solar system. The villains are wicked, the heroes are scientists (Thanks, Mike!), the story is convincing, the dialogue snappy, and the scenery is right out of our catalog of findings on this cold, hazy and alien world. If you fancy skipping forward 250 years and checking out how humankind might be navigating the very geography and landforms we have uncovered in our years touring Saturn, this book is for you!" --Carolyn Porco, leader of the Cassini Imaging Science team and the Director of the Cassini Imaging Central Laboratory for Operations (CICLOPS) at the Space Science Institute in Boulder, Colorado