MURDER IN BABYLON is a real-life historical detective story: a true tale of murder and mystery that has remained untold for over two thousand years. Recreating the scene of the crime to reveal eight suspects, each with the motive and opportunity to have assassinated the king. Graham Phillips uncovers a maze of intrigue, power-play and romantic tragedy that led inevitably towards Alexander's death. Ultimately, in a dramatic twist in the tale, the murderer is finally unveiled.

When Alexander the Great died at the age of thirty-two, his empire stretched from the Adriatic Sea in the west all the way to modern-day India in the east. In an unusual compromise, his two heirs—a mentally damaged half brother, Philip III, and an infant son, Alexander IV, born after his death—were jointly granted the kingship. But six of Alexander’s Macedonian generals, spurred by their own thirst for power and the legend that Alexander bequeathed his rule “to the strongest,” fought to gain supremacy. Perhaps their most fascinating and conniving adversary was Alexander’s former Greek secretary, Eumenes, now a general himself, who would be the determining factor in the precarious fortunes of the royal family. James Romm, professor of classics at Bard College, brings to life the cutthroat competition and the struggle for control of the Greek world’s greatest empire.

What does it mean to be great? There have been many that have come through the sands of time proclaiming their own greatness. We see it in the news every day; leaders, heroes, tyrants, and even reality star presidential candidates claim that they are great. But what about Alexander the Great? Inside you will read about... ✓ Alexander and the Happiness of Horses ✓ Aristotle and the First Day of School ✓ Philip’s Family Drama ✓ Enemies and Friends ✓ The Real Battle Begins ✓ Changing Tides ✓ Signs and Wonders ✓ In Pursuit of Darius ✓ Historical Autopsy The young man from Macedonia that took the world by storm creating one of the world’s first major empires? He singlehandedly changed the course of history within a decade. Read along with us to figure out just what made Alexander so great.

What can we learn from the stunning rise and mysterious death of the ancient world’s greatest conqueror? An acclaimed biographer reconstructs the life of Alexander the Great in this magisterial revisionist portrait. “[An] infectious sense of narrative momentum . . . Its energy is unflagging, including the verve with which it tackles that teased final mystery about the specific cause of Alexander’s death.”—The Christian Science Monitor More than two millennia have passed since Alexander the Great built an empire that stretched to every corner of the ancient world, from the backwater kingdom of Macedonia to the Hellenic world, Persia, and ultimately to India—all before his untimely death at age thirty-three. Alexander believed that his empire would stop only when he reached the Pacific Ocean. But stories of both real and legendary events from his life have kept him evergreen in our imaginations with a legacy that has meant something different to every era: in the Middle Ages he became an exemplar of knightly chivalry, he was a star of Renaissance paintings, and by the early twentieth century he’d even come to resemble an English gentleman. But who was he in his own time? In Alexander the Great, Anthony Everitt judges Alexander’s life against the criteria of his own age and considers all his contradictions. We meet the Macedonian prince who was naturally inquisitive and fascinated by science and exploration, as well as the man who enjoyed the arts and used Homer’s great epic the Iliad as a bible. As his empire grew, Alexander exhibited respect for the traditions of his new subjects and careful judgment in administering rule over his vast territory. But his career also had a dark side. An inveterate conqueror who in his short life built the largest empire up to that point in history, Alexander glorified war and was known to commit acts of remarkable cruelty. As debate continues about the meaning of his life, Alexander's death remains a mystery. Did he die of natural causes—felled by a fever—or did his marshals, angered by his tyrannical behavior, kill him? An explanation of his death can lie only in what we know of his life, and Everitt ventures to solve that puzzle, offering an ending to Alexander’s story that has eluded so many for so long.

Situates a Hasidic master in the context of his time, demonstrating his formative influence on Jewish literary modernity. The Hasidic leader R. Nachman of Braslav (1772–1810) has held a place in the Jewish popular imagination for more than two centuries. Some see him as the (self-proclaimed) Messiah, others as the forerunner of modern Jewish literature. Existing studies struggle between these dueling readings, largely ignoring questions of aesthetics and politics in his work. A Permanent Beginning lays out a new paradigm for understanding R. Nachman’s thought and writing, and, with them, the beginnings of Jewish literary modernity. Yitzhak Lewis examines the connections between imperial modernization processes in Eastern Europe at the turn of the eighteenth century and the emergence of “modern literature” in the storytelling of R. Nachman. Reading his tales and teachings alongside the social, legal, and intellectual history of the time, the book’s guiding question is literary: How does R. Nachman represent this changing environment in his writing? Lewis paints a nuanced and fascinating portrait of a literary thinker and creative genius at the very moment his world was evolving unrecognizably. He argues compellingly that R. Nachman’s narrative response to his changing world was a major point of departure for Jewish literary modernity. “This is a groundbreaking study. There can be no doubt that it will constitute a basic work for understanding the theology and stories of R. Nachman, modern Judaism, and modern literature in general.” — Jonatan Meir, author of Literary Hasidism: The Life and Works of Michael Levi Rodkinson “This book is a rare intellectual achievement. Lewis addresses the question of Hasidism’s modernity by analyzing key issues in the study of R. Nachman, such as the question of his Messianity. His answers are thought-provoking and convincing, and his exciting book dramatically extends our understanding of the challenges posed by R. Nachman’s tales and mystical texts.” — Hannan Hever, Yale University

Though Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come. Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.