This collection draws together recent work by new and emerging scholars which examines the representation of alienation and resistance in texts and images, both modern and traditional. The essays collected here incorporate both “high” and “low” culture, covering a wide range of disciplines from traditional literary sources to the more modern mediums of film and comic. Informing each of the contributions is one overriding question: what are the roles, forms, and conditions of alienation and resistance in our culture and its diverse media? The contributors to this collection find examples of both alienation and resistance everywhere, from sixteenth century drama to contemporary fiction, from American comics to Eastern European cinema, from representations of the body to the site of the body itself. In seeking out these representations of alienation and resistance, the essays begin also to probe the limits and limitations of such terms. As such, the collection as a whole offers both a broad overview of the field of play as it stands today and makes tentative suggestions as to potential paths of future inquiry.

This is the first comprehensive text on social psychological approaches to communication, providing an excellent introduction to theoretical perspectives, special topics, and applied areas and practice in communication. Bringing together scholars of international reputation, this book provides a unique contribution to the field.

By focusing on three key aspects of life and change as the European state developed, Peter Blickle brings together a wealth of scholarly experience from all over the continent to discuss the subject's role in State formation. Europe has undergone a remarkable process of democratization sincethe end of the Second World War, shifting the thrust of government policy away from foreign affairs and towards internal matters, and rendering social interest and conflict the driving forces in the historical process. This widespread acceptance of democracy has led to a renewed study of the historyof the estates, and a corresponding increase in debate over the concept of representation. Here the debate is taken further with an examination of the role of the city constitution, and developments in rural settlements. Inextricably linked with the advent of wide-scale representation was an increase in resistance: this book examines the geographical spread of such uprisings, and offers explanations of why revolts were so few in Northern Europe but so prevalent in the Central states. The questions of who gainedfrom the uprisings, and what they contributed to the development of the different forms of representation and community are addressed from a pan-European angle. The cities and villages of the late Middle Ages and early modern period were instrumental in building the political structure of the time. These settlements were determinative of the spirit of community, and a close inspection of these communities throws interesting light on the differences betweenpeasant and burgher morality, and how these norms and values were integrated into the legitimizing of the state. This fascinating work examines the citizen's role in European development with a theoretical and conceptual, but also practical and pragmatic approach. The discussion crosses all national boundaries, and in a Europe which is constantly evolving is a relevant and timely addition to theseries.

All around the world and throughout history, resistance has played an important role - and it still does. Some strive to raise it to cause change. Some dare not to speak of it. Some try to smother it to keep a status quo. The contributions to this volume explore phenomena of resistance in a range of historical and contemporary environments. In so doing, they not only contribute to shaping a comparative view on subjects, representations, and contexts of resistance, but also open up a theoretical dialogue on terms and concepts of resistance both in and across different disciplines. With contributions by Micha Brumlik, Peter McLaren, and others.

Artistic expression frequently engages with the question of suffering. In so doing, it confronts the gravity and complexity of the human condition. This volume investigates the relationship between art and suffering. In short, the contributors to this volume collectively demonstrate that suffering is an undisputed and shareable motivating experience. This collection features original essays that focus on the subject of art and suffering, including topics such as the representation of violence and the intersections of art and human rights. Some of the key questions explored are as follows: How has suffering motivated artists around the world? How have artists used their platforms to call attention to human rights abuses? How can suffering be incorporated responsibly and ethically in works of art? What role does art play in the struggle against violations of human dignity and the promotion of building a more equitable world? Each essay is complemented by full-color reproductions of artistic works that illustrate the concepts being discussed, including a graphic essay on the topic of “comfort women.”

Explores the visual ways in which the concept of revolution is appropriated through public images across the globe using a diverse range of case studies.

Viet Nguyen argues that Asian American intellectuals need to examine their own assumptions about race, culture and politics, and makes his case through the example of literature.