Political image-making—especially from the Age of Augustus, when the Roman Republic evolved into a system capable of governing a vast, culturally diverse empire—is the focus of this masterful study of Roman culture. Distinguished art historian and classical archaeologist John Pollini explores how various artistic and ideological symbols of religion and power, based on Roman Republican values and traditions, were taken over or refashioned to convey new ideological content in the constantly changing political world of imperial Rome. Religion, civic life, and politics went hand in hand and formed the very fabric of ancient Roman society. Visual rhetoric was a most effective way to communicate and commemorate the ideals, virtues, and political programs of the leaders of the Roman State in an empire where few people could read and many different languages were spoken. Public memorialization could keep Roman leaders and their achievements before the eyes of the populace, in Rome and in cities under Roman sway. A leader’s success demonstrated that he had the favor of the gods—a form of legitimation crucial for sustaining the Roman Principate, or government by a “First Citizen.” Pollini examines works and traditions ranging from coins to statues and reliefs. He considers the realistic tradition of sculptural portraiture and the ways Roman leaders from the late Republic through the Imperial period were represented in relation to the divine. In comparing visual and verbal expression, he likens sculptural imagery to the structure, syntax, and diction of the Latin language and to ancient rhetorical figures of speech. Throughout the book, Pollini’s vast knowledge of ancient history, religion, literature, and politics extends his analysis far beyond visual culture to every aspect of ancient Roman civilization, including the empire’s ultimate conversion to Christianity. Readers will gain a thorough understanding of the relationship between artistic developments and political change in ancient Rome.

Representing five major areas of Augustan scholarship—historiography, poetry, art, religion, and politics—the nineteen contributors to this volume bring us closer to a balanced, up-to-date account of Augustus and his principate.

This volume explores the role that republican political participation played in forging elite Roman masculinity. It situates familiarly "manly" traits like militarism, aggressive sexuality, and the pursuit of power within a political system based on power sharing and cooperation. In deliberations in the Senate, at social gatherings, and on military campaign, displays of consensus with other men greased the wheels of social discourse and built elite comradery. Through literary sources and inscriptions that offer censorious or affirmative appraisal of male behavior from the Middle and Late Republic (ca. 300–31 BCE) to the Principate or Early Empire (ca. 100 CE), this book shows how the vir bonus, or "good man," the Roman persona of male aristocratic excellence, modulated imperatives for personal distinction and military and sexual violence with political cooperation and moral exemplarity. While the advent of one-man rule in the Empire transformed political power relations, ideals forged in the Republic adapted to the new climate and provided a coherent model of masculinity for emperor and senator alike. Scholars often paint a picture of Republic and Principate as distinct landscapes, but enduring ideals of male self-fashioning constitute an important continuity. Roman Masculinity and Politics from Republic to Empire provides a fascinating insight into the intertwined nature of masculinity and political power for anyone interested in Roman political and social history, and those working on gender in the ancient world more broadly.

Rome: Republic into Empire looks at the political and social reasons why Rome repeatedly descended into civil war in the early 1st century BCE and why these conflicts continued for most of the century; it describes and examines the protagonists, their military skills, their political aims and the battles they fought and lost; it discusses the consequences of each battle and how the final conflict led to a seismic change in the Roman political system with the establishment of an autocratic empire. This is not just another arid chronological list of battles, their winners and their losers. Using a wide range of literary and archaeological evidence, Paul Chrystal offers a rare insight into the wars, battles and politics of this most turbulent and consequential of ancient world centuries; in so doing, it gives us an eloquent and exciting political, military and social history of ancient Rome during one of its most cataclysmic and crucial periods, explaining why and how the civil wars led to the establishment of one of the greatest empires the world has known.

In this new edition, with a new preface and an updated bibliography, the author provides a comprehensive and well-documented survey of the evolution and growth of the remarkable military enterprise of the Roman army. Lawrence Keppie overcomes the traditional dichotomy between the historical view of the Republic and the archaeological approach to the Empire by examining archaeological evidence from the earlier years. The arguments of The Making of the Roman Army are clearly illustrated with specially prepared maps and diagrams and photographs of Republican monuments and coins.

Proceedings from the conference ‘AUGUSTUS. 23 September 63 BC – 19 August 14 AD – 2000 years of divinity’ held in Kakow, 2014. Papers deal with a variety of topics ranging from architecture, urban issues and painting to fine art represented by glyptics and numismatics.

On March 15th, 44 BC a group of senators stabbed Julius Caesar, the dictator of Rome. By his death, they hoped to restore Rome's Republic. Instead, they unleashed a revolution. By December of that year, Rome was plunged into a violent civil war. Three men--Mark Antony, Lepidus, and Octavian--emerged as leaders of a revolutionary regime, which crushed all opposition. In time, Lepidus was removed, Antony and Cleopatra were dispatched, and Octavian stood alone as sole ruler of Rome. He became Augustus, Rome's first emperor, and by the time of his death in AD 14 the 500-year-old republic was but a distant memory and the birth of one of history's greatest empires was complete. Rome's Revolution provides a riveting narrative of this tumultuous period of change. Historian Richard Alston digs beneath the high politics of Cicero, Caesar, Antony, and Octavian to reveal the experience of the common Roman citizen and soldier. He portrays the revolution as the crisis of a brutally competitive society, both among the citizenry and among the ruling class whose legitimacy was under threat. Throughout, he sheds new light on the motivations that drove men to march on their capital city and slaughter their compatriots. He also shows the reasons behind and the immediate legacy of the awe inspiringly successful and ruthless reign of Emperor Augustus. An enthralling story of ancient warfare, social upheaval, and personal betrayal, Rome's Revolution offers an authoritative new account of an epoch which still haunts us today.