The Medieval Postcolonial Jew, In and Out of Time studies violent temporal clashes that are written into the medieval vision of annus domini [the year of our Lord]. Christian temporality represents Jewish time as queerly oddly outmoded and advocating uncivil and socially disruptive behavior. Jewish temporality, in turn, records a marginalized people who work to rescue their embattled temporality from becoming a time forgotten and colonized. Through a select group of literature in Middle English, Latin, and Hebrew, as well as sixteen manuscript pictorials, author Miriamne Ara Krummel confronts the notion that annus domini time (whether disguised as CE or AD) figures as the universal standard. Krummel’s argument details how Other temporalities—ones outside and not like annus domini time—are cast as nonstandard and imagined as wholly devised out of stories that promote fear and terror, and are positioned as putative threats to the fabric of the temporal empire of Latin Christendom. Ultimately, the book reflects on the ways in which “common” time both marks and silences marginal identities and cultures and shows to what extent the dynamics of the medieval environment materialize in our modern world.

In this wide-ranging collection, Michael Fishbane investigates the complex and diverse relationships between the 'biblical text' and 'exegetical culture.' The author demonstrates the multiple literary dimensions and interpretative strategies that came to form the Hebrew Bible in the context of the ancient Near East, the Dead Sea Scrolls in the context of an emergent biblical-Jewish culture, and the classical rabbinic Midrash in the context of an emergent rabbinic civilization in late antiquity. Within each study, and in the collection as a whole, the author shows a broad range of creative methods, always with a scholarly concern to illuminate the religious ideas of Scripture as it was perceived through diverse hermeneutical lenses and exegetical methodologies. The studies range from the purely literary to the highly analytic, from myth to law, and from studies of symbols to the study of exegetical methods.

This volume explores historical, literary, and ideological dimensions of the books of the Latter Prophets of the Hebrew Bible - Isaiah, Jeremiah, Ezekiel, and the Book of the Twelve - along with Daniel. The prophetic books comprise oracles, narratives, and vision reports from ancient Israel and Judah spanning several centuries. Analysis of these texts sheds light on the cultural norms, theological convictions, and political disputes of Israelite and Judean communities in the shadow of the empires of ancient Egypt, Babylonia, and Persia.

Hebrew University Professor Emeritus and Israel Prize recipient Eliezer Schweid (1929-2022) is widely regarded as one of the greatest historians of Jewish thought of our era. In Siddur Hatefillah, he probes the Jewish prayer book as a reflection of Judaism's unity and continuity as a unique spiritual entity; and as the most popular, most uttered, and internalized text of the Jewish people. Schweid explores texts which process religious philosophical teaching into the language of prayer, and/or express philosophical ideas in prayer’s special language – which the worshipper reflects upon in order to direct prayer, and through which flows hoped-for feedback. With the addition of historical, philological, and literary contexts, the study provides the reader with first-time access to the comprehensive meaning of Jewish prayer—filling a vacuum in both the experience and scholarship of Jewish worship.

MATZOH IN THE METROPOLIS, New York City poet Barbara Hantman’s third verse collection focusing specifically on Jewish thematic, takes the sensitive reader on an expansive voyage with stops at ports both personal and cultural. Each chapter heading reveals a different facet of this journey: “Reverent Days,” “Locating the Sublime,” “By Lordly Spirit Imbued,” “Descendants of the Patriarchs,” “Overcoming Evil’s Sting,” “Verdant Creation” and “Guiding the Yiladim.” A smattering of poems in Hebrew and Spanish (presented bilingually) adds a touch of spice.