From New Woman Writer to Socialist: The Life and Selected Writings of Tamura Toshiko From 1936 to 1938 by Anne Sokolsky offers a detailed biography of Tamura Toshiko’s life and translations of selected writings from the latter part of Tamura’s career. Considered one of Japan’s early modern feminists and hailed as a New Woman writer, Tamura is best known for her bold depictions of female sexuality and her condemnation of Japan’s patriarchal marriage system. Less well-known are the works Tamura produced when she returned to Japan in 1936 after spending two decades in North America. Through these selected translations, Sokolsky presents Tamura’s more politicized writing voice and shows how the objective of Tamura’s writing expanded beyond the sphere of women’s issues in Japan to more global concerns.

In From New Woman Writer to Socialist: The Life and Selected Writings of Tamura Toshiko from 1936 to 1938, Anne Sokolsky offers both a detailed biography of Tamura Toshiko's life and translations into English of selected writings from the latter part of Tamura's career, a result of her time in North America.

A personal history of life, love and women’s liberation In this powerful memoir Sheila Rowbotham looks back at her life as a participant in the women’s liberation movement, left politics and the creative radical culture of a decade in which freedom and equality seemed possible. She reveals the tremendous efforts that were made to transform attitudes and feelings, as well as daily life. After addressing the first British Women’s Liberation Conference at Ruskin College, Oxford in 1970, she went on to encourage night cleaners to unionise, to campaign for nurseries and abortion rights. She played an influential role in discussions of socialist feminist ideas and her books and journalism attracted an international readership. Written with generosity and humour Daring to Hope recreates grassroots networks, communal houses and squats, bringing alive a shared impetus to organise collectively and to love without jealousy or domination. It conveys the shifts occurring in politics and society through kernels of personal experience. The result is a book about liberation in the widest sense.

A “brilliant,” “engaging,” and “valuable,” (Financial Times) exploration of why capitalism hurts women and how socialism, when done right, can bring economic independence, better labor conditions and, yes, even better sex. In a witty, irreverent op-ed piece that went viral, Kristen Ghodsee argued that women had better sex under socialism. The response was tremendous — clearly she articulated something many women had sensed for years: the problem is with capitalism, not with us. Ghodsee, an acclaimed ethnographer and professor of Russian and East European Studies, spent years researching what happened to women in countries that transitioned from state socialism to capitalism. She argues here that unregulated capitalism disproportionately harms women, and that we should learn from the past. By rejecting the bad and salvaging the good, we can adapt some socialist ideas to the 21st century and improve our lives. She tackles all aspects of a woman's life - work, parenting, sex and relationships, citizenship, and leadership. In a chapter called "Women: Like Men, But Cheaper," she talks about women in the workplace, discussing everything from the wage gap to harassment and discrimination. In "What To Expect When You're Expecting Exploitation," she addresses motherhood and how "having it all" is impossible under capitalism. Women are standing up for themselves like never before, from the increase in the number of women running for office to the women's march to the long-overdue public outcry against sexual harassment. Interest in socialism is also on the rise -- whether it's the popularity of Bernie Sanders or the skyrocketing membership numbers of the Democratic Socialists of America. It's become increasingly clear to women that capitalism isn't working for us, and Ghodsee is the informed, lively guide who can show us the way forward.

Finding Women in the State is a provocative hidden history of socialist state feminists maneuvering behind the scenes at the core of the Chinese Communist Party. These women worked to advance gender and class equality in the early PeopleÕs Republic and fought to transform sexist norms and practices, all while facing fierce opposition from a male-dominated CCP leadership from the Party Central to the local government. Wang Zheng extends this investigation to the cultural realm, showing how feminists within ChinaÕs film industry were working to actively create new cinematic heroines, and how they continued a New Culture anti-patriarchy heritage in socialist film production. This book illuminates not only the different visions of revolutionary transformation but also the dense entanglements among those in the top echelon of the party. Wang discusses the causes for failure of ChinaÕs socialist revolution and raises fundamental questions about male dominance in social movements that aim to pursue social justice and equality. This is the first book engendering the PRC high politics and has important theoretical and methodological implications for scholars and students working in gender studies as well as China studies.

What does it mean to read from elsewhere? Women Writers in Postsocialist China introduces readers to a range and variety of contemporary Chinese women’s writing, which has seen phenomenal growth in recent years. The book addresses the different ways women’s issues are understood in China and the West, attending to the processes of translation, adaptation, and the grafting of new ideas with existing Chinese understandings of gender, feminism, subjectivity, consumerism and (post) modernism. By focusing on women’s autobiographical, biographical, fictional and historical writing, the book engages in a transcultural flow of ideas between western and indigenous Chinese feminisms. Taking account of the accretions of social, cultural, geographic, literary, economic, and political movements and trends, cultural formations and ways of thinking, it asks how the texts and the concepts they negotiate might be understood in the social and cultural spaces within China and how they might be interpreted differently elsewhere in the global locations in which they circulate. The book argues that women-centred writing in China has a direct bearing on global feminist theory and practice. This critical study of selected genres and writers highlights the shifts in feminist perspectives within contemporary local and global cultural landscapes.

The New Woman was the symbol of the shifting categories of gender and sexuality and epitomised the spirit of the fin de siècle . This informative monograph offers an interdisciplinary approach to the growing field of New Woman studies by exploring the relationship between first-wave feminist literature, the nineteenth-century women's movement and female consumer culture. The book expertly places the debate about femininity, feminism and fiction in its cultural and socio-historical context, examining New Woman fiction as a genre whose emerging theoretical discourse prefigured concepts central to second-wave feminist theory.