As reflected in the title From Microcosm to Macrocosm: Individual households and cities in Ancient Egypt and Nubia, both a micro-approach introducing microhistories of individual sites according to recent archaeological fieldwork incorporating interdisciplinary methods as well as general patterns and regional developments in Northeast Africa are discussed. This combination of research questions on the micro-level with the macro-level provides new information about cities and households in Ancient Egypt and Nubia and makes the book unique. Architectural studies as well as analyses of material culture and the new application of microarchaeology, here especially of micromorphology and archaeometric applications, are presented as case studies from sites primarily dating to the New Kingdom (Second Millennium BC). The rich potential of well-preserved but still not completely explored sites in modern Sudan, especially as direct comparison for already excavated sites located in Egypt, is in particular emphasised in the book. Settlement archaeology in Egypt and Nubia has recently moved away from a strong textual approach and generalised studies to a more site-specific approach and household studies. This new bottom-up approach applied by current fieldwork projects is demonstrated in the book. The volume is intended for all specialists at settlements sites in Northeast Africa, for students of Egyptology and Nubian Studies, but it will be of interest to anyone working in the field of settlement archaeology. It is the result of a conference on the same subject held in 2017 as the closing event of the European Research Council funded project AcrossBorders at Munich.

By proposing the Microcosm and Macrocosm analogy for dialogue between Islamic Philosophy and Occidental Phenomenology, the authors of this volume are reviving the perennial positioning of the human condition in the play of forces within and without the human being. This theme has run from Plato through the Middle Ages, Renaissance and Modernity, and has been ignored by contemporaries. It now acquires a new pertinence and striking significance due to the scientific discoveries into the "infinitely small" in life, on the one hand, and the prodigious technological discoveries of the "infinitely great" on the other. Both open up undreamt-of prospects for the continuing conquest of cosmic forces. The human person – thrown into turmoil by the new approaches to life and needing to acquire new habits of mind, having lost security of all beliefs – desperately seeks a new clarification of the Human Condition within the unity of everything-there-is, of cosmic forces, and of his destiny. The dialogue between Islamic Philosophy and phenomenology of life can show the way. Papers by: Gholam-Reza A'awani, Mehdi Aminrazavi, Roza Davari Ardakani, Mohammad Azadpur, Gary Backhaus, Marina Banchetti-Robino, William Chittick, Seyed Mostafa Muhaghghegh Damad, Golamhossein Ebrahimi Dinani, Nader El-Bizri, Kathleen Haney, Salahaddin Khalilov, Sayyid Mohammad Khamenei, Mahmoud Khatami, Mieczyslaw Pawel Migon, Nikolay Milkov, Sachiko Murata, Anna-Teresa Tymieniecka, Daniela Verducci.

An illustrated reference book on a seminal figure of occult philosophy and Renaissance thought • Explains Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, alchemy, the Rosicrucians, and multiple levels of existence • Includes more than 200 of Fludd’s illustrations, representing the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary • Explores Fludd’s medical work as an esoteric Paracelsian physician and his theories on the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities, including material never before translated One of the last Renaissance men, Robert Fludd (1574-1637) was one of the great minds of the early modern period. A physician by profession, he was also a Christian Hermetist, a Rosicrucian, an alchemist, astrologer, musician, and inventor. His drive to encompass the whole of human knowledge--from music to alchemy, from palmistry to fortification--resulted in a series of books remarkable for their hundreds of engravings, a body of work recognized as the first example of a fully-illustrated encyclopedia. In this in-depth, highly illustrated reference, scholar and linguist Joscelyn Godwin explains Fludd’s theories on the correspondence between the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities. He shows how Fludd’s two worlds--the macrocosm and the microcosm--along with Paracelsus’s medical principles and the works of Hermes Trismegistus provided the foundation for his search for the cause and cure of all diseases. The more than 200 illustrations in the book represent the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary and explanation. Sharing many passages translated for the first time from Fludd’s Latin, allowing him to speak for himself, Godwin explores Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, and the rapport between the multiple levels of existence. He also analyzes Fludd’s writings in defense of alchemy and the Rosicrucians. An essential reference for scholars of Renaissance thinkers, traditional cosmology, metaphysics, and the Western esoteric tradition, this book offers intimate access to Fludd’s worlds and gives one a feel for an epoch in which magic, science, philosophy, spirituality, and imagination could still cohabit and harmonize within a single mind.

This book is the second part of the two-volume set entitled The Big and the Small. In the earlier volume, Journey into the Microcosm: the Story of Elementary Particles, the story of elementary particle physics was related. In the present volume the author describes how the physics of elementary particles allow us to reconstruct the origin of the universe and its subsequent evolution. Carrying on from the point where volume 1 was concluded, the story of the fascinating quest for the Ultimate Theory (the theory that stands all by itself and does not rest on any other pedestal) is revealed here in the context of the shortcomings of the Standard Model.

In City and Cosmos, Keith D. Lilley argues that the medieval mind considered the city truly a microcosm: much more than a collection of houses, a city also represented a scaled-down version of the very order and organization of the cosmos. Drawing upon a wide variety of sources, including original accounts, visual art, science, literature, and architectural history, City and Cosmos offers an innovative interpretation of how medieval Christians infused their urban surroundings with meaning. Lilley combines both visual and textual evidence to demonstrate how the city carried Christian cosmological meaning and symbolism, sharing common spatial forms and functional ordering. City and Cosmos will not only appeal to a diverse range of scholars studying medieval history, archaeology, philosophy, and theology; but it will also find a broad audience in architecture, urban planning, and art history. With more of the world’s population inhabiting cities than ever before, this original perspective on urban order and culture will prove increasingly valuable to anyone wishing to better understand the role of the city in society.

From Simon & Schuster, Microcosm is the provocative national bestseller by the author of Wealth and Poverty. George Gilder's Microcosm is the crystal ball of the next technological era. Leading scientists, engineers, and entrepreneurs provide vivid accounts of the latest inventions, revealing how the new international balance of power really lies in information technology.

The Jewish exegete and philosopher Philo of Alexandria has long been famous for his complex and spiritually rich allegorical treatises on the Greek Bible. The present volume presents first translation and commentary in English on his treatise De plantatione (On planting), following on the volume devoted to On cultivation published previously by the same two authors. Philo gives a virtuoso performance as allegorist, interpreting Noah’s planting of a vineyard in Genesis 9.20 first in theological and cosmological terms, then moving to the spiritual quest of both of advanced souls and those beginning their journey. The translation renders Philo’s baroque Greek into readable modern English. The commentary pays particular attention to the treatise’s structure, its biblical basis and its exegetical and philosophical contents.