Helping to delight in the drawings of Caravaggio, Carracci, Michelangelo, Urbino, Tavarone, Vasari, Veronese, and others, this book looks at this key period in the development of drawing in Europe.

The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses.

The drawings featured in this volume are from the Royal Collection at Windsor Castle. Eighteen sheets are supreme examples of Michelangelo's draftsmanship; fifty are by his contemporaries and successors - including Raphael, Sebastiano del Piombo, Perino del Vaga, Pordenone, and Annibale Carracci - and demonstrate Michelangelo's impact on their technique, style, and imagery. Among the other artists represented are Alessandro Allori, Bartolommeo Ammanati, Baccio.

The magnificent frescoes in chapels, town halls, and palaces across Italy together represent one of the greatest achievements of Renaissance art. Commissioned both by private patrons and by the Church, artists such as Giotto, Masaccio, Piero della Francesca, Mantegna, and Annibale Carracci responded with images of matchless beauty. Leading scholars of Renaissance art and culture treat the works selected for this series in their artistic and historical contexts; each cycle is illustrated with a complete set of the highest quality color reproductions.

Annibale Carracci (1560-1609) fu una delle figure chiave (1560-1609) nello sviluppo dell'arte barocca italiana, e tuttavia la sua arte può sembrare problematica per diversi aspetti. Questo volume analizza la sua carriera dagli esordi a Bologna fino alle opere successive a Roma, il cui apice è raggiunto con il suo capolavoro, gli splendidi affreschi della Galleria Farnese. Il volume indaga inoltre il linguaggio religioso fortemente espressivo che sviluppò nelle pale d'altare, adeguate espressioni dei princìpi della Contro-Riforma, e i suoi importanti contributi all'evoluzione del paesaggio classico. Annotation Supplied by Informazioni Editoriali