Invisible Ink is a helpful, accessible guide to the essential elements of the best storytelling by award-winning writer/director/producer Brian McDonald. Readers learn techniques for building a compelling story around a theme, engaging audiences with writing, creating appealing characters, and much more.

For most of us, privacy means an unlisted telephone number. But what about your Social Security number? Your credit card numbers? Your bank account statements? Your personal health data? You may think this information is also secure, but if you've ever ordered anything over the Internet, or if your credit card is on file at the local video store just in case you never return that copy of Titanic, or if you throw out bank statements without shredding them, then this information is now in the public domain and can easily be discovered and used against you by a private eye, a computer hacker, or even a vengeful neighbor or former lover. Once people gain control of even a shred of your personal information, they can gain control of your life. They can transform this information into access to your assets, your loved ones, even your identity. And once your privacy is gone, there's very little you can do to get it back. J. J. Luna, a highly trained and experienced security consultant, can show you how to achieve the privacy you crave, whether you just want to shield yourself from casual scrutiny or take your life savings and disappear without a trace. He reveals the shocking secrets that private detectives use to uncover information, and then shows you how to safeguard against them. Filled with vivid real-life stories drawn from the headlines and from Luna's own consulting experience, How to Be Invisible is the essential guide to preserving your personal security. Privacy is commonly lamented as the first casualty of the Information Age-- but that doesn't mean you have to stand for it.

InThe Book of the WindAlessandro Nova has selected texts and images to create a history of the wind that illustrates his belief that the artistic representation of the invisible, The metaphorical nature of the phenomenon, And The challenge that it presents for perception require increasing our inner world through an expansion of our perceptual horizon. The wind - a natural phenomenon both salutary and injurious - has inspired myths, literary texts, and works of art in every era and place.The Book of the Windoffers a contemporary and original reflection on one of the most intriguing questions in art history - how can the immaterial be depicted?

Student Voice: From Invisible to Invaluable is about why and how today’s leaders need to connect with students for success. The premise of this book is that student voice is often invisible and that is possibly why schools have changed little since the 19th Century. From digital citizenship to teacher evaluation, we submit that the voice of students can be and needs to be amplified. The authors wrote this book to help elevate the power and influence of student voice in the transformation and leadership of our schools. The authors provide context that helps frame where education has been, where it stands today, and where the authors propose we go in school leadership. To truly transform, schools leaders in the classroom, principal’s office, and district office need to elevate the voice of the student. There is no greater way to inspire our children than to let them have a say in their own education. We simply cannot create the leaders of tomorrow when we do not let them lead today. This book will provide examples of excellence, stories of success, and practical tips to help you move student voice from invisible to invaluable.

“A satire of writerly ambition wrapped in a psychological thriller . . . An homage to Patricia Highsmith, Oscar Wilde and Edgar Allan Poe, but its execution is entirely Boyne’s own.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND MINNEAPOLIS STAR TRIBUNE Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel. Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . . Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso. Praise for A Ladder to the Sky “Boyne's mastery of perspective, last seen in The Heart's Invisible Furies, works beautifully here. . . . Boyne understands that it's far more interesting and satisfying for a reader to see that narcissist in action than to be told a catchall phrase. Each step Maurice Swift takes skyward reveals a new layer of calumny he's willing to engage in, and the desperation behind it . . . so dark it seems almost impossible to enjoy reading A Ladder to the Sky as much as you definitely will enjoy reading it.”—NPR “Delicious . . . spins out over several decades with thrilling unpredictability, following Maurice as he masters the art of co-opting the stories of others in increasingly dubious ways. And while the book reads as a thriller with a body count that would make Highsmith proud, it is also an exploration of morality and art: Where is the line between inspiration and thievery? To whom does a story belong?”—Vanity Fair