A small French settlement thrived for half a century on the west bank of the Mississippi River before the Louisiana Purchase made it part of the United States in 1803. But for the citizens of Ste. Genevieve, becoming Americans involved more than simply acknowledging a transfer of power. Bonnie Stepenoff has written an engaging history of Missouri’s oldest permanent settlement to explore what it meant to be Americanized in our country’s early years. Picking up where other studies of Ste. Genevieve leave off, she traces the dramatic changes wrought by the transfer of sovereignty to show the process of social and economic transformation on a young nation’s new frontier. Stepenoff tells how French and Spanish residents—later joined by German immigrants and American settlers—made necessary compromises to achieve order and community, forging a democracy that represented different approaches to such matters as education, religion, property laws, and women’s rights. By examining the town’s historical circumstances, its legal institutions, and especially its popular customs, she shows how Ste. Genevieve differed from other towns along the Mississippi. Stepenoff has plumbed the town’s voluminous archives to share previously untold stories of Ste. Genevieve citizens that reflect how Americanization affected their lives. In these pages we meet a free woman of color who sued a prominent white family for support of her children; a slave who obtained her own freedom and then purchased her daughters’ freedom; a local sheriff who joined Aaron Burr’s conspiracy; and a doctor who treated cholera victims and later became a U.S. senator. More than colorful characters, these are real people shown pursuing justice and liberty under a new flag. The story of Ste. Genevieve serves as a testament to Tocqueville’s observations on American democracy while also challenging some of the commonly held beliefs about that institution. From French Community to Missouri Town provides a better understanding not only of how democracy works but also of what it meant to become American when America was still young.

On Slavery’s Border is a bottom-up examination of how slavery and slaveholding were influenced by both the geography and the scale of the slaveholding enterprise. Missouri’s strategic access to important waterways made it a key site at the periphery of the Atlantic world. By the time of statehood in 1821, people were moving there in large numbers, especially from the upper South, hoping to replicate the slave society they’d left behind. Diane Mutti Burke focuses on the Missouri counties located along the Mississippi and Missouri rivers to investigate small-scale slavery at the level of the household and neighborhood. She examines such topics as small slaveholders’ child-rearing and fiscal strategies, the economics of slavery, relations between slaves and owners, the challenges faced by slave families, sociability among enslaved and free Missourians within rural neighborhoods, and the disintegration of slavery during the Civil War. Mutti Burke argues that economic and social factors gave Missouri slavery an especially intimate quality. Owners directly oversaw their slaves and lived in close proximity with them, sometimes in the same building. White Missourians believed this made for a milder version of bondage. Some slaves, who expressed fear of being sold further south, seemed to agree. Mutti Burke reveals, however, that while small slaveholding created some advantages for slaves, it also made them more vulnerable to abuse and interference in their personal lives. In a region with easy access to the free states, the perception that slavery was threatened spawned white anxiety, which frequently led to violent reassertions of supremacy.

French St. Louis places St. Louis, Missouri, in a broad colonial context, shedding light on its francophone history.

Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx

French traditions in America do not live solely in Louisiana. Franco-American Identity, Community, and La Guiannée travels to Ste. Genevieve, Missouri, and Prairie du Rocher, Illinois, to mark the Franco-American traditions still practiced in both these Midwestern towns. This Franco-American cultural identity has continued for over 250 years, surviving language loss, extreme sociopolitical pressures, and the American Midwest's demands for conformity. Ethnic identity presents itself in many forms, including festivals and traditional celebrations, which take on an even more profound and visible role when language loss occurs. On New Year's Eve, the guionneurs, revelers who participate in the celebration, disguise themselves in eighteenth- and nineteenth-century costume and travel throughout their town, singing and wishing New Year's greetings to other members of the community. This celebration, like such others as Cajun Mardi Gras in Louisiana, Mumming in Ireland and Newfoundland, as well as the Carnaval de Binche, belongs to a category of begging quest festivals that have endured since the Medieval Age. These festivals may have also adapted or evolved from pre-Christian pagan rituals. Anna Servaes produces a historical context for both the development of French American culture as well as La Guiannée in order to understand contemporary identity. She analyzes the celebration, which affirms ethnic community, drawing upon theories by influential anthropologist Victor Turner. In addition, Servaes discusses cultural continuity and its relationship to language, revealing contemporary expressions of Franco-American identity.

The Austin family left an indelible mark on Texas and the expanding American nation. In this insightful biography, Light Townsend Cummins turns the historical spotlight on Emily Austin, the daughter who followed the trails of the western frontier to Texas, where she saw the burgeoning young colony erupt in revolution, establish a proud republic, and usher in the period of antebellum statehood. Emily's journey was one of remarkable personal change as the rigors of frontier life shaped her into a uniquely self-reliant southern woman, one who fulfilled the role of the plantation mistress while taking a distinct hand in ambitious public ventures. Despite her ties to influential family members, including her brother Stephen F. Austin, Emily's determined spirit allowed her to live on her own terms. In all of her notable activities, Emily principally remained a devoted daughter, sister, wife, and mother who proudly clung to her Austin roots. Utilizing her family's written correspondence, Cummins provides insight into Emily's multifaceted personality and the relationships that sustained her through times of tribulation and triumph. "Emily was very much her own woman, with strong, well-articulated personal feelings centered on a steely personality. Her rock-solid resolve for action enabled her to survive almost six decades of frontier hardship . . . Above all else, Emily Austin was the touchstone at the center of an extended family that provided a common point of reference for four generations . . . " Light Cummins, from Emily Austin

Winner of the Kemper and Leila Williams Book Prize for the Best Book on Louisiana History, French Roots in the Illinois Country creates an entirely new picture of the Illinois country as a single ethnic, economic, and cultural entity. Focusing on the French Creole communities along the Mississippi River, Carl J. Ekberg shows how land use practices such as medieval-style open-field agriculture intersected with economic and social issues ranging from the flour trade between Illinois and New Orleans to the significance of the different mentalities of French Creoles and Anglo-Americans.