Takashi Yoshida provides a historical analysis of war and peace museums from the late nineteenth century to the present and traces the historical development of a pacifist discourse in postwar Japan that centered on Japan's war crimes and responsibility during the so-called Fifteen Year War, which began in 1931 with Japan's invasion of Manchuria and ended in 1945 with the nation's defeat. Prior to the defeat, a culture of war gripped the Japanese empire. Every segment of Japanese popular culture during the war bore witness to the flood of patriotism. In this book Yoshida attempts to demonstrate that the acceptance of Japanese wartime aggression and atrocities as historical facts remains evident to this day in the culture of peace museums in Japan. Those who have little knowledge of contemporary Japan often hastily conclude that the Japanese have been united and monolithic in the way they feel the war should be remembered. This book seeks to challenge that assumption.

WORLD HISTORY: SECOND WORLD WAR. Over recent decades, John W. Dower, one of America's preeminent historians, has addressed the roots and consequences of war from multiple perspectives. In War Without Mercy (1986), winner of the National Book Critics Circle Award, he described and analyzed the brutality that attended World War II in the Pacific, as seen from both the Japanese and the American sides. Embracing Defeat (1999), winner of numerous honors including the Pulitzer Prize and the National Book Award, dealt with Japan's struggle to start over in a shattered land in the immediate aftermath of the Pacific War, when the defeated country was occupied by the U.S.-led Allied powers. Turning to an even larger canvas, Dower now examines the cultures of war revealed by four powerful events--Pearl Harbor, Hiroshima, 9-11, and the invasion of Iraq in the name of a war on terror.

Sociologist Elise Boulding offers a collection of essays that emphasize her study of civil society during the second half of the 20th century. She revisits her theme of connection among family, community and government, offering perspectives and advice on how to fuel the process of peace.

A Violent Peace offers a radical account of the United States' transformation into a total-war state. As the Cold War turned hot in the Pacific, antifascist critique disclosed a continuity between U.S. police actions in Asia and a rising police state at home. Writers including James Baldwin, Ralph Ellison, and W.E.B. Du Bois discerned in domestic strategies to quell racial protests the same counterintelligence logic structuring America's devastating wars in Asia. Examining U.S. militarism's centrality to the Cold War cultural imagination, Christine Hong assembles a transpacific archive—placing war writings, visual renderings of the American concentration camp, Japanese accounts of the atomic bombing of Hiroshima, black radical human rights petitions, Korean War–era G.I. photographs, Filipino novels on guerrilla resistance, and Marshallese critiques of U.S. human radiation experiments alongside government documents. By making visible the way the U.S. war machine waged informal wars abroad and at home, this archive reveals how the so-called Pax Americana laid the grounds for solidarity—imagining collective futures beyond the stranglehold of U.S. militarism.

The world's first peace organizations emerged in the 19th century and since that time, anti-war activism has progressed rapidly. This illuminating book presents a realistic analysis of the extent to which the war system has infiltrated all aspects of Western culture and how it works to perpetuate war rather than promote peace. Additionally, the text describes the historically recent and still evolving parallel system of peace institutions. The values and ideas that have grown out of peace activism offer a very real opportunity to outlaw war in the coming century just as slavery was abolished in the 19th century. Instructors considering this book for use in a course may request an examination copy here.

The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term “Cold War Culture” is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether — or to what extent — the Cold War Culture model can be applied to European societies, both in the East and the West. While every European country had to adapt to the constraints imposed by the Cold War, individual development was affected by specific conditions as detailed in these chapters. This volume offers an important contribution to the international debate on this issue of the Cold War impact on everyday life by providing a better understanding of its history and legacy in Eastern and Western Europe.

French political and theorist Aron (1905-83) published Paixe guerre entre les nations in 1962 in Paris to clarify and transcend the debate between rational schematics and sociological perspectives in the discipline of international relations, by arguing that the two are not contradictory but complementary. The 1966 English translation was published by Doubleday, New York. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).