"This volume provides a succinct, analytical, well-conceived, and nicely written account of the development of colonial North American thought and culture from 1680 to the eve of the American Revolution. Not an anachronistic search for the origins of later American cultural forms, it situates the subject firmlv within a transatlantic context. The author emphasizes the extent to which improving communications and expanding connections helped to incorporate colonial settlers into a larger British world by providing them access and inviting them to become contributors to a burgeoning public culture of print, which consisted of newspapers, magazines, books, and 1etters.Whereas during the first seven decades of the seventeenth century, the colonies had been little more than crude and isolated outposts of English culture, from the late seventeenth century, he contends, they increasingly became like Scotland and Protestant Ireland, intellectual and cultural provinces of an expanding British Empire." -Jack P. Greene, Journal of American History

Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.

Through an analysis of textual representations of the American landscape, this book looks at how North America appeared in books printed on both sides of the Atlantic between the years 1660 and 1745. A variety of literary genres are examined to discover how authors described the landscape, climate, flora and fauna of America, particularly of the new southern colonies of Carolina and Georgia. Chapters are arranged thematically, each exploring how the relationship between English and American print changed over the 85 years under consideration. Beginning in 1660 with the impact of the Restoration on the colonial relationship, the book moves on to show how the expansion of British settlement in this period coincided with a dramatic increase in the production and consumption of the printed word and the further development of religious and scientific explanations of landscape change and climactic events. This in turn led to multiple interpretations of the American landscape dependent on factors such as whether the writer had actually visited America or not, differing purposes for writing, growing imperial considerations, and conflict with the French, Spanish and Natives. The book concludes by bringing together the three key themes: how representations of landscape varied depending on the genre of literature in which they appeared; that an author's perceived self-definition (as English resident, American visitor or American resident) determined his understanding of the American landscape; and finally that the development of a unique American identity by the mid-eighteenth century can be seen by the way American residents define the landscape and their relationship to it.

The American Revolution conjures a series of iconographic images in the contemporary American imagination. In these imagined scenes, defiant Patriots fight against British Redcoats for freedom and democracy, while a unified citizenry rallies behind them and the American cause. But the lived experience of the Revolution was a more complex matter, filled with uncertainty, fear, and discord. In The American Revolution Reborn, editors Patrick Spero and Michael Zuckerman compile essays from a new generation of multidisciplinary scholars that render the American Revolution as a time of intense ambiguity and frightening contingency. The American Revolution Reborn parts company with the Revolution of our popular imagination and diverges from the work done by historians of the era from the past half-century. In the first section, "Civil Wars," contributors rethink the heroic terms of Revolutionary-era allegiance and refute the idea of patriotic consensus. In the following section, "Wider Horizons," essayists destabilize the historiographical inevitability of America as a nation. The studies gathered in the third section, "New Directions," present new possibilities for scholarship on the American Revolution. And the last section, titled "Legacies," collects essays that deal with the long afterlife of the Revolution and its effects on immigration, geography, and international politics. With an introduction by Spero and a conclusion by Zuckerman, this volume heralds a substantial and revelatory rebirth in the study of the American Revolution. Contributors: Zara Anishanslin, Mark Boonshoft, Denver Brunsman, Katherine Carté Engel, Aaron Spencer Fogleman, Travis Glasson, Edward G. Gray, David C. Hsiung, Ned C. Landsman, Michael A. McDonnell, Kimberly Nath, Bryan Rosenblithe, David S. Shields, Patrick Spero, Matthew Spooner, Aaron Sullivan, Michael Zuckerman.

This book provides a history of Presbyterians in American culture from the early eighteenth to the late twentieth century. Longfield assesses both the theological and cultural development of American Presbyterianism, with particular focus on the mainline tradition that is expressed most prominently in the Presbyterian Church (U.S.A.). He explores how Presbyterian churches--and individuals rooted in those churches--influenced and were influenced by the values, attitudes, perspectives, beliefs, and ideals assumed by Americans in the course of American history. The book will serve as an important introduction to Presbyterian history that will interest historians, students, and church leaders alike.

A history of the relationship between Great Britain and the United States ranges from the establishment of the first English colony in the New World to the present day, examining both nations in terms of what connected them and what drove them apart.

William Livingston's American Revolution explores how New Jersey's first governor experienced the American Revolution and managed a state government on the war's front lines. A wartime bureaucrat, Livingston played a pivotal role in a pivotal place, prosecuting the war on a daily basis for eight years. Such second-tier founding fathers as Livingston were the ones who actually administered the war and guided the day-to-day operations of revolutionary-era governments, serving as the principal conduits between the local wartime situation and the national demands placed on the states. In the first biography of Livingston published since the 1830s, James J. Gigantino's examination is as much about the position he filled as about the man himself. The reluctant patriot and his roles as governor, member of the Continental Congress, and delegate to the Constitutional Convention quickly became one, as Livingston's distinctive personality molded his office's status and reach. A tactful politician, successful lawyer, writer, satirist, political operative, gardener, soldier, and statesman, Livingston became the longest-serving patriot governor during a brutal war that he had not originally wanted to fight or believed could be won. Through Livingston's life, Gigantino examines the complex nature of the conflict and the choice to wage it, the wartime bureaucrats charged with administering it, the constant battle over loyalty on the home front, the limits of patriot governance under fire, and the ways in which wartime experiences affected the creation of the Constitution.