From reviews of the first edition: "The book has a clear and readable style, moving easily between vignettes of marketwomen's lives, descriptions of the markets themselves, and surveys of the theoretical literature. Babb's long, close involvement with the Huaraz markets is apparent. As someone who has spent a lot of time in Andean markets, I found the book pleasurable to read, because it recreated the experience of the marketplace so well." —American Ethnologist "Between Field and Cooking Pot offers details of the daily lives of marketwomen in the central Andean departmental capital of Huaraz. . . . A welcome addition to studies of women and international development, this book contains a wealth of firsthand material, collected through informal participant-observation as well as formal interviews and analysis of statistical data. . . . The book encourages us to imagine how the dynamic culture of marketwomen might intersect with the construction, representation, and effects of class and gender." —American Anthropologist "The book has a clear and readable style, moving easily between vignettes of marketwomen’s lives, descriptions of the markets themselves, and surveys of the theoretical literature. Babb’s long, close involvement with the Huaraz markets is apparent. As someone who has spent a lot of time in Andean markets, I found the book pleasurable to read, because it recreated the experience of the marketplace so well." —American Ethnologist This revised edition of Between Field and Cooking Pot offers an updated appraisal of what neoliberal politics and economics mean in the lives of marketwomen in the nineties, based on new fieldwork conducted in 1997. Babb also reflects on how recent currents in feminist and anthropological studies have caused her to rethink some aspects of Andean marketers in Peruvian culture and society.

South America is an area of fascination and study for geographers and other scholars from around the world, and its land and people have played important roles in the discovery and distribution of civilizations, resources, and nations for millennia. The region has long stimulated a large amount of research across the many subdisciplines of geography, and Thomas A. Rumney collects, organizes, and presents as many scholarly publications as possible in The Geography of South America: A Scholarly Guide and Bibliography. Every South American nation is included: Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Surinam, Uruguay, and Venezuela. Beginning with an overview of the region as a whole, successive chapters, one per nation, are divided by specific subdisciplines of geography: cultural, social, economic, historical, physical and environmental, political, and urban. Each section is then divided by document type: atlases, books, book chapters, articles from scholarly journals, master’s theses, and doctoral dissertations. Although the majority of entries focus on English-language works, selected entries written in Spanish, French, German, and other languages are also included (with the entry titles translated into English and noted accordingly).

This book addresses the multifaceted issue of the state vis-a-vis those perceived as actors in the informal or simple commodity production economy. It discusses both state and traders' strategies to display recurrent themes, emphasized and combined differently in specific contexts.

Early Buddhist Narrative Art is a pictorial journey through the transmission of the narrative cycle based on the life of the historical Buddha. Karetzky, while demonstrating the various evolutions that the image of the Buddha underwent, maintains that there is an underlying homogeneity of the tradition in the cultures of India, Central Asia, China and Japan. The author, while focusing on the visual representation of the Buddhist narrative, goes into some detail regarding the importance of scriptures in each society, and how the written tradition informed the pictorial. Over seventy photos fill this book, which will be of interest to scholars of art history, Eastern religion and Buddhism in particular.