Book signing is high-impact, low-cost publicity at its best. The author will get advance book sales, better shelf display, virtually free advertising, recognition as the expert in the field, critical networking leads, opportunities to book speaking engagements, radio and TV coverage, and so much more. From Book Signing to Best Seller shows the reader how.

LEARN HOW TO WRITE A BOOK WHICH STANDS OUT FROM THE CROWD. There is no precise formula for writing a bestseller, but there are secrets, skills and techniques that will dramatically improve your odds of publishing a bestselling novel. Whatever your motivation - whether sick of rejections, getting ready to approach a publisher, or with an idea you think is unbeatable - you need to read this book before you do anything else. It gives you the key insights into what makes a bestseller and explains the trends and conventions of different genres, before helping you get a real handle on the writing (and revising) process. A third of the book is devoted to pitching and selling your novel both to traditional agents and as a self-published author, with incisive and cutting-edge insights into writing for Amazon and becoming an 'authorpreneur'. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Named a Library Journal Best Reference of 2023 - From Library Journal's Starred Review: "This ambitious and entertaining update solidifies Berger’s volume as a must-have title for librarians, booksellers, collectors, and students of the book arts and book history." This new edition of The Dictionary of the Book adds more than 700 new entries and many new illustrations and brings the vocabulary and theory of bookselling and collecting into the modern commercial and academic world, which has been forced to adjust to a new reality. The definitive glossary of the book covers all the terms needed for a thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term—more than 2,000—that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge, including: The book as physical object Typeface terminology Paper terminology Printing Book collecting Cataloging Book design Bibliography as a discipline, bibliographies, and bibliographical description Physical Condition and how to describe it Calligraphy Language of manuscripts Writing implements Librarianship Legal issues Parts of a book Book condition terminology Pricing of books Buying and selling Auctions Items one will see an antiquarian book fairs Preservation and conservation issues, and the notion of restoration Key figures, presses / publishers, and libraries in the history of books Book collecting clubs and societies How to read and decipher new and old dealers’ catalogs And much more The Dictionary also contains an extensive bibliography—more than 1,000 key readings in the book world and it gives current (and past) definitions of terms whose meaning has shifted over the centuries. More than 200 images accompany the entries, making the work even more valuable for understanding the terms described.

Writer F. Scott Fitzgerald's career itself is a metaphor for the vagaries of book publishing. If Fitzgerald would have had his way, we would today refer to The Great Gatsby as either Gold-Hatted Gatsby, Trimalchio in West Egg, or The High-Bouncing Lover. A few years before Gatsby, Fitzgerald had become a literary sensation at the age of 23; Helen Hooven Santmyer, a contemporary of Fitzgerald's, would not have a successful novel published until she was 88 and living in a nursing home. In this book, the author explores that mysterious place in publishing where art and commerce can either clash, mesh, or both. Along the way, a wide range of authors--from the literary greats to today's commercial superstars--editors, agents and publishers share their thoughts, insights and experiences: What inspires writers? (John Steinbeck, for example, wrote every novel as if it were his last, as if death were imminent.) Why are some books successful and appreciated, while others fall into oblivion? The answers are often elusive, never absolute, but the stories and anecdotes are always fascinating.

Join seven-figure author Elana Johnson as she outlines two of the most important things all self-publishers grapple with: 1. How to write the next bestseller, and 2. How to launch the next bestseller. And bonus - there will be ideas for how to market that new release when it's no longer shiny and fresh. Every book an author releases has untold earning potential, but we all want to write the most marketable book possible and then launch it well from the beginning. Come learn how to decide what to write that will appeal to readers, including how to drive them to the next book, and then how to launch each book in a way that makes the most sense for your pocketbook, your series, and your sanity. Writing and launching your next bestseller is only a few steps from where you are right now!

Book History is the annual journal of the Society for the History of Authorship, Reading and Publishing, Inc. (SHARP). Book History is devoted to every aspect of the history of the book, broadly defined as the history of the creation, dissemination, and the reception of script and print. Book History publishes research on the social, economic, and cultural history of authorship, editing, printing, the book arts, publishing, the book trade, periodicals, newspapers, ephemera, copyright, censorship, literary agents, libraries, literary criticism, canon formation, literacy, literacy education, reading habits, and reader response.