Freemasonry is a system of learning that has been recognized as?a?product of western civilization, however what is not told is the influences by people of African descent. This book describes the contributions to freemasonry from the ancient African civilizations of Egypt, Nubia and pre Islamic Arabia. It is designed to give the reader a deeper understanding of its origins as well as its connection to world civilizations and world religion, all of which has an African presence. This book will also looks at the universe of African American Masonic organizations from the early 18th century to the 20th century America, which ranged from the origins of prince hall freemasonry to Black Nationalist and esoteric religious sects like the Moorish Science Temple of America, the UNIA and several other offshoots. Contrary to prior accounts, African American Freemasonry was concerned with far more than simply acknowledgement and respectability. The book will demonstrate that Freemasonry played a critical role in, history, politics and African American social life. I discuss such topics as the impact of Greek philosophy on western civilization, the rise of Islam and its impact on the African continent and finally the grandeur and accomplishments of the moors of Spain. African people have been at the very core of this rich foundation. In addition I discuss the comparisons between the ancient Egyptian civilization and modern day freemasonry. I explore its symbolism as well as the esoteric foundations that freemasonry relies so heavily upon. Once freemasonry reach the western hemisphere it became a tool for influencing Europe's elite. Moreover, my research covers the history of the knight's of Europe and the origins of?european chivalry and how Arabic poetry played an important role in its establishment. Additional topics include Napoleon Bonaparte, The mystic shrine and the foundations of Orientalism.

Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.

Freemasonry is a system of learning that has been recognized as?a?product of western civilization, however what is not told is the influences by people of African descent. This book describes the contributions to freemasonry from the ancient African civilizations of Egypt, Nubia and pre Islamic Arabia. It is designed to give the reader a deeper understanding of its origins as well as its connection to world civilizations and world religion, all of which has an African presence. This book will also looks at the universe of African American Masonic organizations from the early 18th century to the 20th century America, which ranged from the origins of prince hall freemasonry to Black Nationalist and esoteric religious sects like the Moorish Science Temple of America, the UNIA and several other offshoots. Contrary to prior accounts, African American Freemasonry was concerned with far more than simply acknowledgement and respectability. The book will demonstrate that Freemasonry played a critical role in, history, politics and African American social life. I discuss such topics as the impact of Greek philosophy on western civilization, the rise of Islam and its impact on the African continent and finally the grandeur and accomplishments of the moors of Spain. African people have been at the very core of this rich foundation. In addition I discuss the comparisons between the ancient Egyptian civilization and modern day freemasonry. I explore its symbolism as well as the esoteric foundations that freemasonry relies so heavily upon. Once freemasonry reach the western hemisphere it became a tool for influencing Europe’s elite. Moreover, my research covers the history of the knight’s of Europe and the origins of?european chivalry and how Arabic poetry played an important role in its establishment. Additional topics include Napoleon Bonaparte, The mystic shrine and the foundations of Orientalism.

This book explores the critical thinking that Freemasons of African descent have towards the understanding of the Bible as well as the impact of Christianity in African American culture. To the Mason, the Bible is the guide of faith for it gives us God's holy instructions. It also has within it a secret knowledge that many of our traditional churches refused to tap into. Therefore this knowledge is esoteric in nature and this is what masonry thrives on. This book will examine not only the contributions by ancient Kemet (Egypt) To religion but the entire content of Africa which has a conglomerate of religions all are pointing to one divine creator.

Freemasons are accused of worshipping Lucifer. This book examines the concept of Lucifer, and its effect on everyday life. There is more than meets the eye, so we present the true purpose and meaning of Lucifer.

The real purpose of this research is the exploration of the Bible and its many African hidden secrets.The use of Tubal Cain in Masonic ritual is derived from the old legends of the craft by the operative and then speculative masons; it refers symbolically but historically to his scriptural and traditional reputation as an artificer. Tubal Cain is the 8th man from Adam.In the bible it mentions that Tubal-Cain was the first to manipulate metal. He is quoted as being the first instructor of brass and iron. this Pamphlet will break down and analyze the symbolism behind this sacred password.

For centuries the world has been misled about the original source of the Arts and Sciences; for centuries Socrates, Plato and Aristotle have been falsely idolized as models of intellectual greatness; and for centuries the African continent has been called the Dark Continent, because Europe coveted the honor of transmitting to the world, the Arts and Sciences. It is indeed surprising how, for centuries, the Greeks have been praised by the Western World for intellectual accomplishments which belong without a doubt to the Egyptians or the peoples of North Africa.