A living history of the African American experience.

In 1963, 16-year-old Janice Wesley made a decision that had a profound affect on her future. She decided to risk it all and go to jail by becoming a foot soldier in the Birmingham, Alabama Children's Crusade to protest the racial segregation that prevailed in her city and throughout the South. Janice tells the story of her arrest in I Woke Up with My Mind on Freedom, and goes on to describe her role in the new South as an educator and administrator. Today, she travels the United States, speaking about the horrors of living in the old South while describing how she and other youth made a difference and changed their world.

Hassan became a member of a cult while in college. After being deprogrammed, he became a leading educator and activist against mind control and destructive cults. This book presents his approach to breaking the hold.

When the Supreme Court overturned school segregation in the 1954 Brown v. Board of Education decision, the issue was joined for the South and the nation.

The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas Called “one of the country’s most influential feminist thinkers” by Artforum, bell hooks and her work have enjoyed a huge resurgence of popularity since her passing in 2021. Her 2018 book All About Love has sold upwards of 700,000 copies, and posthumous tributes have credited her with being “instrumental in cracking open the white, western canon for Black artists” (Artnet). To celebrate the thirtieth anniversary of her groundbreaking essay collection Art on My Mind, The New Press will publish a handsome, celebratory edition, featuring a new foreword by Tony-nominated producer and all-around creative phenom Mickalene Thomas and a new cover featuring original photos of bell hooks shot by African American photojournalist Eli Reed. This classic work, which, as the New York Times wrote, “examines the way race, sex and class shape who makes art, how it sells and who values it,” includes what Artforum calls “incisive essays” on the work of Jean-Michel Basquiat, Isaac Julien, Carrie Mae Weems, and Romare Bearden, among others. Her essays on Black vernacular architecture, representation of the Black male body, and the creative process of women artists, are complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie, which Kirkus Reviews calls “excellent indeed,” and “a real contribution to our understanding of the situation of black women artists.”

Chronicles the experiences of African-Americans from the Colonial era to the present, using personal letters, slave narratives, autobiographies, leaflets, speeches, oral histories, and political manifestos to recount African-Americans' efforts to pursue freedom in the U.S.

Liza begins to doubt her feelings for Annie after someone finds out about their relationship, and realizes, after starting college, that her denial of love for Annie was a mistake. Reprint.