Named by The Washington Post as one of the 11 Leadership Books to Read in 2018 When it comes to recruiting, motivating, and creating great teams, Patty McCord says most companies have it all wrong. McCord helped create the unique and high-performing culture at Netflix, where she was chief talent officer. In her new book, Powerful: Building a Culture of Freedom and Responsibility, she shares what she learned there and elsewhere in Silicon Valley. McCord advocates practicing radical honesty in the workplace, saying good-bye to employees who don’t fit the company’s emerging needs, and motivating with challenging work, not promises, perks, and bonus plans. McCord argues that the old standbys of corporate HR—annual performance reviews, retention plans, employee empowerment and engagement programs—often end up being a colossal waste of time and resources. Her road-tested advice, offered with humor and irreverence, provides readers a different path for creating a culture of high performance and profitability. Powerful will change how you think about work and the way a business should be run.

Few moments in Civil Rights history are as important as the morning of Sunday April 9, 1939 when Marian Anderson sang before a throng of thousands lined up along the Mall by the Lincoln Memorial. She had been banned from the Daughters of the American Revolution's Constitution Hall because she was black. When Eleanor Roosevelt, who resigned from the DAR over the incident, took up Anderson's cause, however, it became a national issue. The controversy showed Americans that discrimination was not simply a regional problem. As Arsenault shows, Anderson's dignity and courage enabled her, like a female Jackie Robinson - but several years before him - to strike a vital blow for civil rights. Today the moment still resonates. Postcards and CDs of Anderson are sold at the Memorial and Anderson is still considered one of the greats of 20th century American music. In a short but richly textured narrative, Raymond Arsenault captures the struggle for racial equality in pre-WWII America and a moment that inspired blacks and whites alike. In rising to the occasion, he writes, Marion Anderson "consecrated" the Lincoln Memorial as a shrine of freedom. In the 1963 March on Washington Martin Luther King would follow, literally, in her footsteps.

Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity-for pleasure-is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.

This paradigm-shifting book helps believers understand the process of being transformed by God's grace and truth, and challenges them to be a part of the process of discipleship in the lives of their fellow brothers and sisters in Christ. Counseling One Another biblically presents and defends every believer's responsibility to work toward God's goal of conforming us to the image of His Son-a goal reached through the targeted form of intensive discipleship most often referred to as counseling. All Christians will find Counseling One Another useful as they make progress in the life of sanctification and as they discuss issues with their friends, children, spouses, and fellow believers, providing them with a biblical framework for life and one-another ministry in the body of Christ.

divdivIn the two decades prior to the Civil War, the Hutchinson Family Singers of New Hampshire became America’s most popular musical act. Out of a Baptist revival upbringing, John, Asa, Judson, and Abby Hutchinson transformed themselves in the 1840s into national icons, taking up the reform issues of their age and singing out especially for temperance and antislavery reform. This engaging book is the first to tell the full story of the Hutchinsons, how they contributed to the transformation of American culture, and how they originated the marketable American protest song. /DIVdivThrough concerts, writings, sheet music publications, and books of lyrics, the Hutchinson Family Singers established a new space for civic action, a place at the intersection of culture, reform, religion, and politics. The book documents the Hutchinsons’ impact on abolition and other reform projects and offers an original conception of the rising importance of popular culture in antebellum America./DIV/DIV

The Freedom Theatre is one of the most remarkable institutions in occupied Palestine, and indeed the world. Nestled in Jenin refugee camp in the West Bank, the theatre has faced attacks, threats, imprisonment of many functionaries, and the assassination of its co-founder. And yet the theatre has not only endured, it has grown, from a provisional hall with rented plastic chairs to one of Palestine's most prominent cultural centres. Today, it educates actors, technicians, cultural workers, photographers, filmmakers and teachers, tours in the West Bank and internationally with its characteristically strong and moving art, and has created a network of partners across the globe. This book depicts the theatre's history, work, and vision through some of its key people. It gives room to thorough analyses of the context in which it operates and of the concept of Cultural Resistance, which is central to its work. Palestinian and international artists, academics and activists associated with the theatre, contribute personal and professional perspectives on the phenomenon that is The Freedom Theatre. This is as much a documentation of the work of The Freedom Theatre in its first ten years as it is a testament to its growing significance as a source of inspiration in Palestine and around the world.