When many voices are joined together, with courage, change can happen. In 1966, more than two hundred courageous Aboriginal people walked off the Wave Hill Cattle Station in the Northern Territory. Led by Vincent Lingiari, these stockmen and their families were walking together to fight for equal pay and land rights. Exquisitely illustrated and designed, this non-fiction picture book brings a landmark historical event to a new generation. Many people have seen the iconic photograph of Gough Whitlam pouring a handful of red soil into the hands of Vincent Lingiari – a symbol of the legal transfer of Gurindji land back to the Gurindji people – and recognise this as a key moment in the ongoing land rights movement. Freedom Day delves into the events that led up to this moment, and makes a rallying cry for the things that still need to change in its wake. Thomas Mayor co-authors this book with Rosie, Vincent Lingiari’s granddaughter, to bring this vital story to life. The story has been written in close consultation with the Lingiari family.

On 23 August 1966, approximately 200 Gurindji stockmen and their families walked off Wave Hill Station in the Northern Territory, Australia, protesting against poor working conditions and the taking of their land by pastoralists. Led by Vincent Lingiari, this land-mark action in 1966 precipitated the equal wages case in the pastoral industry and the establishment of the Aboriginal Land Rights (Northern Territory) Act 1976. These compelling and detailed oral accounts of the events that Gurindji elders either witnessed or heard from their parents and grandparents will ignite the interest of audiences nationally and internationally and challenge revisionist historians who question the extent of frontier battles and the legitimacy of the Stolen Generations.

This is a book for all Australians. Since the Uluru Statement from the Heart was formed in 2017, Thomas Mayo has travelled around the country to promote its vision of a better future for Indigenous Australians. He’s visited communities big and small, often with the Uluru Statement canvas rolled up in a tube under his arm. Through the story of his own journey and interviews with 20 key people, Thomas taps into a deep sense of our shared humanity. The voices within these chapters make clear what the Uluru Statement is and why it is so important. And Thomas hopes you will be moved to join them, along with the growing movement of Australians who want to see substantive constitutional change. Thomas believes that we will only find the heart of our nation when the First peoples – the Aboriginal and Torres Strait Islanders – are recognised with a representative Voice enshrined in the Australian Constitution. ‘Thomas’s compelling work is full of Australian Indigenous voices that should be heard. Read this book, listen to them, and take action.’ – Danny Glover, actor and humanitarian

Fifty years ago, a group of striking Aboriginal stockmen in the remote Northern Territory of Australia heralded a revolution in the cattle industry and a massive shift in Aboriginal affairs. Now, after many years of research, A Handful of Sand tells the story behind the Gurindji people's famous Wave Hill Walk-off in 1966 and questions the meanings commonly attributed to the return of their land by Gough Whitlam in 1975. Written with a sensitive, candid and perceptive hand, A Handful of Sand reveals the path Vincent Lingiari and other Gurindji elders took to achieve their land rights victory, and how their struggles in fact began, rather than ended, with Whitlam's handback.

Inspired by the words of revered Indigenous leader Vincent Lingiari, 'that land ... I still got it on my mind', this exhibition reflects on the Gurindji Walk-Off, a seminal event in Australian history that reverberates today. The Walk-Off, a nine-year act of self determination that began in 1966 and sparked the national land rights movement, was led by Lingiari and countrymen and women working at Wave Hill Station (Jinparrak) in the Northern Territory. Honouring last year's 50th anniversary, curator and participating artist Brenda L. Croft has developed the exhibition through long-standing practice-led research with her patrilineal community and Karunkgarni Art and Culture Aboriginal Corporation. Lingiari's statement is the exhibition's touchstone, the story retold from diverse, yet interlinked Indigenous perspectives. Still in my mind includes photographs and an experimental multi-channel video installation, history paintings, digital platforms and archives, revealing the way Gurindji community members maintain cultural practices and kinship connections to keep this/their history present.

Dear Son shares heartfelt letters written by First Nations men about life, masculinity, love, culture and racism. Along with his own vivid and poignant prose and poetry, author and editor Thomas Mayo invites 12 contributors to write a letter to their son or father, bringing together a range of perspectives that offers the greatest celebration of First Nations manhood. This beautifully designed anthology comes at a time when First Nations peoples are starting to break free of derogatory stereotypes and find solace in their communities and cultures. Yet, each contributor also has one thing in common: they all have a relative who has been terribly wronged – enslaved, raped and dispossessed – because of their Aboriginality. Featuring letters from Stan Grant, Troy Cassar-Daley, John Liddle, Charlie King, Joe Williams, Yessie Mosby, Joel Bayliss, Daniel James, Jack Latimore, Daniel Morrison, Tim Sculthorpe and Blak Douglas. A gentle and loving book for families from anywhere in the world. Artwork by proud Kaurna/Ngarrindjeri/Narrunga/Italian Australian artist Tony Wilson, with illustrations and design by Gamilaraay designer Tristan Schultz of Relative Creative.

In 1966, the Gurindji people working on Wave Hill Station in the Northern Territory did something radical: they went on strike. They wanted equal wages--and land rights. Author Frank Hardy happened to be there. In The Unlucky Australians he tells the story of this walk-off, one that resulted in a successful land rights claim--a term Hardy has been credited for inventing in this important novel, first published in 1968.In an article in Overland in 2007 on Les Murray, Frank Hardy and Australian Nationalism, Nathan Hollier points out: 'Partly because of books like The Unlucky Australians, many Australians do not feel as comfortable or at ease with the land as they had been encouraged to feel by an eager generation of nationalist historians, social commentators, political and religious leaders, teachers and artists.'Frank Hardy (1917-1994) was a journalist, novelist and scriptwriter. His books include Power without Glory (1950), the satire Outcasts of Foolgarah (1971), also in the Untapped Collection, and The Dead Are Many (1975).