Fred Dibnah was a man born out of his time. His era should have been the 'magnificent age of British engineering' - the nineteenth century - and his heroes were the great industrial engineers of the period whose prolific innovations and dedicated work ethic inspired a national mood of optimism and captured the hearts of the British public. Fred Dibnah's Victorian Heroes tells the stories of some of these men - including George and Robert Stephenson, Isambard Kingdom Brunel and Joseph Whitworth - and what it was that made them such inspirational figures to Fred. What were their backgrounds? Where did their drive and vision come from? What sort of people were they at work and at home? And what was their contribution to the history of industry and engineering? Most of them - like Fred - were colourful, larger-than-life characters for whom no challenge was too great. Taking these fascinating characters as inspiration, Fred Dibnah's Victorian Heroes gets to the very heart of what allowed nineteenth-century Britannia to rule the waves . . .

This book tells the stories of some of the great heroes of Fred Dibnah, including George and Robert Stephenson, Isambard Kingdom Brunel and Joseph Whitworth, and looks at what it was that made them such inspirational figures to Fred.

Fred Dibnah's traction engine was a time capsule of Britain's industrial past. After he retired from steeplejacking he took to the road, looking at the achievements of the craftsmen, engineers, inventors and industrial workers whose endeavour made engines like his possible. This is a record of that journey.

Britains favourite steeplejack and industrial enthusiastic, the late Fred Dibnah, takes us back to the 18th century when the invention of the steam engine gave an enormous impetus to the development of machinery of all types. He reveals how the steam engine provided the first practical means of generating power from heat to augment the old sources of power (from muscle, wind and water) and provided the main source of power for the Industrial Revolution. In Fred Dibnahs Age of Steam Fred shares his passion for steam and meets some of the characters who devote their lives to finding, preserving and restoring steam locomotives, traction engines and stationary engines, mill workings and pumps. Combined with this will be the stories of central figures of the time, including James Watts - inventor of the steam engine - and Richard Trevithick who played a key role in the expansion of industrial Britain in the 18th and 19th centuries.

A LOUDER THAN WAR BOOK OF THE YEAR A riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.' BENJAMIN MYERS 'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.' GUARDIAN 'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.' THE SPECTATOR 'A feat of argument, description and affection.' FINANCIAL TIMES 'Young unearths the ghosts of TV past - and Britain's dark psyche.' HERALD 'Highly entertaining . . . [A] fabulous treasure trove.' SCOTSMAN 'Young is a phenomonal scholar.' OBSERVER 'Impassioned.' THE CRITIC Growing up in the 1970s, Rob Young's main storyteller was the wooden box with the glass window in the corner of the family living room, otherwise known as the TV set. Before the age of DVDs and Blu-ray discs, YouTube and commercial streaming services, watching television was a vastly different experience. You switched on, you sat back and you watched. There was no pause or fast-forward button. The cross-genre feast of moving pictures produced in Britain between the late 1950s and late 1980s - from Quatermass and Tom Jones to The Wicker Man and Brideshead Revisited, from A Canterbury Tale and The Go-Between to Bagpuss and Children of the Stones, and from John Betjeman's travelogues to ghost stories at Christmas - contributed to a national conversation and collective memory. British-made sci-fi, folk horror, period drama and televisual grand tours played out tensions between the past and the present, dramatised the fractures and injustices in society and acted as a portal for magical and ghostly visions. In The Magic Box, Rob Young takes us on a fascinating journey into this influential golden age of screen and discovers what it reveals about the nature and character of Britain, its uncategorisable people and buried histories - and how its presence can still be felt on screen in the twenty-first century. '[A] forensic dissection . . . this tightly packed treatise takes pains to illustrate how what we view affects how we view ourselves.' TOTAL FILM

When Fred Dibnah debuted on television in 1979, British audiences immediately embraced a new cultural icon: a steeplejack from Bolton who fell in love with England's decaying industrial landscape and an exhaustive storyteller whose charm and wit was matched only by his down-to-earth manner. The Producer of that first film, Don Haworth, would go on to make nineteen films about this unlikely celebrity and true British eccentric. Did You Like That? collects the best stories from these films: colourful tales told by Fred himself, recounting key moments in his life, his experiences as a steeplejack, his fascination with machinery, his work as an engineer, craftsman, artist, inventor and steam enthusiast, and his forthright views on life in general. Told with true Northern grit, Did You Like That? is the story of a man who never shied away from a hair-raising challenge, and the closest thing to Fred's autobiography we're likely to get. In paperback for the first time, this is Fred's story, in his own words.

Winner of the 2021 Donald E. Osterbrock Book Prize for Historical Astronomy In Decoding the Stars, Ileana Chinnici offers an account of the life of the Jesuit scientist Angelo Secchi (1818-1878). In addition to providing an invaluable account of Secchi’s life and work—something that has been sorely lacking in the English-language scholarship—this biography will be especially stimulating for those interested in the evolution of astrophysics as a discipline from the nineteenth century onward. Despite his eclecticism, reminiscent of the natural philosophers of the seventeenth and eighteenth centuries, Secchi was in many ways a very modern scientist: open to innovation and cooperation, and a promoter of popularization and citizen science. Secchi also appears fully inserted in the cultural context of his time: he participated in philosophical and scientific debates, spread new theories and ideas, but also suffered the consequences of political events that marked those years and impacted on his life and activities.