Franz Kafka and Michel Foucault: Power, Resistance, and the Art of Self-Creation engages with important themes such as power, language, subjectivity and the possibility of fully developed postmodern account of the subject, resistance to power, and an aesthetic interpretation of life.

In this innovative addition to the New Horizons in Leadership Studies series, Leah Tomkins explores Franz Kafka’s expertise in the exercise of power, emphasising his own work as a leader. Through extensive primary research and original translation, she combines literary and philosophical critique with analysis of contemporary figures to craft a manifesto for leadership relations.

This volume reevaluates and overturns the assumed hierarchical relationship between original text and translation with an approach that places source and target texts as equal. Combining the translation strategy of Argentine writer Jorge Luis Borges, the theoretical approaches of Walter Benjamin and Michel Foucault, and the exponents of Possible World Theory, the author examines Virginia Woolf's Orlando and Franz Kafka's short stories in detail. Rather than considering what may be lost in translation, this study focuses on why we insist on maintaining a border between the textual phenomena of "translation" and "original" and argues for a mutually enriching dialogue between two texts.

Giles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism and one of the most influential philosophers of the twentieth century. In Foucault, Deleuze presents one of the most incisive and productive analyses of the work of Michel Foucault. This is a crucial examination of the philosophical foundations and principal themes of Foucault's work, providing a rigorous engagement with Foucault's views on knowledge, punishment, power, and the nature of subjectivity. Translated by Seßn Hand. >

Kafka's novels and stories fascinate readers and critics of each generation. Although all theories attempt to appropriate Kafka, there is no one key to his work. This work aims to present a point of view while taking account of previous Kafka research.

Accessible essays place Kafka in historical, political and cultural context, providing new and often unexpected perspectives on his works.

As a Jew, Kafka received nothing in inheritance from his father. Nevertheless, throughout his œuvre, subtly, remnants of Jewish words can be deciphered. Hence, the question at the heart of this book: what remains when what’s left is a "nothing of Judaism" (Letter to the Father)? This question necessitates a philosophical and Jewish reading of his work, prompting a reconsideration of the intricate relationships between the Jew and the West and the Jew and modernity. Thus, this book proposes an examination of Kafka's oeuvre to uncover what remains Jewish therein – at the heart of Europe, amidst modernity – where nothing remains: the enigma of the Letter.