In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this fascinating autobiography, choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for "Whitey's Lindy Hoppers," a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of crowded ballrooms and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight, if not a star's prerogatives and salary. With collaborator Cynthia Millman, Manning traces the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock 'n' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since.

This flash fiction novella, The Grief Manuscript, illustrates the dream-like, annihilating, and repetitive gestures of a dying marriage. The story recasts the emotional range of grief using metaphorical images and remarkable characters in brief, poetic scenes. The recently separated narrator inhabits a series of temporary houses as she faces the devastating and radical identity changes that come with divorce. Grief activates the narrator's demon, who appears in the form of a small monster, the Burden Animal, who torments her with her previous humiliations and belief that she is a burden to those who love her. Magical realism offers images of personal torment, where the narrator's head falls off, spiders crawl up her throat, her tongue escapes, and the fields of her psyche burn. It isn't until the narrator accepts the full expanse of her grief that she can see a way to move forward to what is "next."

From acclaimed Autistic Irish comedian Aoife Dooley comes a fresh and funny debut middle-grade graphic novel about fitting in and standing out. Frankie is different from everyone in her class, and she can't figure out why. She has trouble concentrating, and her classmates tease her for not having a dad at home. To try to make sense of the world, Frankie doodles her daily adventures in a journal. One day, when Frankie sneaks into her mom's room and sees her biological father's name on her birth certificate, she decides to go on a mission to track him down. Could Frankie's father be the key to finding out why Frankie feels so adrift? A unique story told with a light touch and an abundance of warmth and wit, Frankie's World is laugh-out-loud funny and a love letter to daring to be different.

The hilarious and razor-sharp story of how one girl went from geek to patriarchy-smashing criminal mastermind in two short years, from the #1 New York Times bestselling author of We Were Liars and Genuine Fraud. * National Book Award finalist * * Printz Honor * Frankie Landau-Banks at age 14: Debate Club. Her father's "bunny rabbit." A mildly geeky girl attending a highly competitive boarding school. Frankie Landau-Banks at age 15: A knockout figure. A sharp tongue. A chip on her shoulder. And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston. Frankie Landau-Banks. No longer the kind of girl to take "no" for an answer. Especially when "no" means she's excluded from her boyfriend's all-male secret society. Not when she knows she's smarter than any of them. When she knows Matthew's lying to her. And when there are so many pranks to be done. Frankie Landau-Banks, at age 16: Possibly a criminal mastermind. This is the story of how she got that way.

For her graduation from high school in 1920, Frankie Pratt receives a scrapbook and her father’s old Corona typewriter. Despite Frankie’s dreams of becoming a writer, she must forgo a college scholarship to help her widowed mother. But when a mysterious Captain James sweeps her off her feet, her mother finds a way to protect Frankie from the less-than-noble intentions of her unsuitable beau. Through a kaleidoscopic array of vintage postcards, letters, magazine ads, ticket stubs, catalog pages, fabric swatches, candy wrappers, fashion spreads, menus, and more, we meet and follow Frankie on her journey in search of success and love. Once at Vassar, Frankie crosses paths with intellectuals and writers, among them “Vincent” (alumna Edna St. Vincent Millay), who encourages Frankie to move to Greenwich Village and pursue her writing. When heartbreak finds her in New York, she sets off for Paris aboard the S.S. Mauritania, where she keeps company with two exiled Russian princes and a “spinster adventuress” who is paying her way across the Atlantic with her unused trousseau. In Paris, Frankie takes a garret apartment above Shakespeare & Company, the hub of expat life, only to have a certain ne’er-do-well captain from her past reappear. But when a family crisis compels Frankie to return to her small New England hometown, she finds exactly what she had been looking for all along. Author of the New York Times Notable Book Jackie by Josie, Caroline Preston pulls from her extraordinary collection of vintage ephemera to create the first-ever scrapbook novel, transporting us back to the vibrant, burgeoning bohemian culture of the 1920s and introducing us to an unforgettable heroine, the spirited, ambitious, and lovely Frankie Pratt.

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