(Guitar Recorded Versions). Our matching folio to Frank Zappa's influential first solo album features note-for-note transcriptions with tab for all six songs, lots of photos, and an intro by and album cover courtesy of Matt Groening. Includes: The Gumbo Variations * It Must Be a Camel * Little Umbrellas * Peaches in Regalia * Son of Mr. Green Genes * and Willie the Pimp. This 1969 jazz-rock fusion masterpiece also features guest appearances by Captain Beefheart and Jean-Luc Ponty.

(Recorded Version (Guitar)). Note-for-note transcriptions with tab for all nine tracks from Zappa's classic 1975 release: Andy * Can't Afford No Shoes * Evelyn, A Modified Dog * Florentine Pogen * Inca Roads * Po-Jama People * San Ber'dino * Sofa No. 1 * Sofa No. 2. Includes an introduction by Steve Vai.

Recounts the career of the rock music performer.

Music. THE BIG NOTE is the complete guide to the music of Frank Zappa--100 albums recorded over 35 years, the 80+ players on them, each one of 1,772 tracks described in detail, backed up by 1,424 citations. Based on hundreds of interviews, letters, and e-mail correspondences with scores of musicians, singers, engineers, artists, copyists, and others who worked with Zappa, THE BIG NOTE provides the liner notes that every album in the protean and prolific composer's oeuvre cries out for. It is the indispensible resource for any Zappa fan or scholar.

For thirty years, from 1966 until his death in 1993, Frank Zappa was one of the most influential, innovative, and controversial popular musicians, combining a wide range of musical styles with social and political parody. In this innovative biography, Courrier explodes the myths of Zappa's drug use and fetishism to illuminate the facts about this outrageously gifted composer's emergence during the eclectic and experimental sixties, linking his form of artistic rebellion to its cultural precedents, and examining Zappa as a true original. Illustrated with 30 b/w photos.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.