Born in 1884, Frank R. Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies is evident in his brilliant and original science fiction artwork. To say that Frank R. Paul is the father of science fiction illustration art is an understatement. His fertile imagination, amply demonstrated by the paintings and drawings in this book, speak for themselves and his legacy continues to influence the field today. Here, in this compendium, is the very first collection ever published showcasing many of Paul's full color science fiction artwork along with appreciations and critical essays by Sir Arthur C. Clarke and by Stephen Koshak; Jerry Weist and Roger Hill; Sam Moskowitz; Gerry de la Ree; Forrest J. Ackerman; and Frank Wu.

Born in 1884, Frank R Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies are evident in his brilliant and original science-fiction artwork. In 1914 Paul met Hugo Gernsback and began illustrating for Gernsback's Electrical Experimenter & Science & Invention. By 1926 when Gernsback's Amazing Stories was born Paul was ready: a talented calligrapher, Paul not only created the magazine's famed comet logo, but also the front cover painting and all of the interior black and white illustrations. Subsequently, over the span of his career, Paul was to paint over 200 published sci-fi covers and in excess of 1,000 black-and-white interiors. To say that Frank R Paul is the father of science-fiction illustration art is an understatement: his fertile imagination, amply demonstrated by the paintings and drawings in this book, speak for themselves and his legacy continues to influence the field today. Here, in this giant compendium, is the very first collection ever published showcasing many of Paul's full-colour science-fiction artwork along with appreciations and critical essays by Sir Arthur C Clarke and by Stephen Korshak; Jerry Weist and Roger Hill; Sam Moskowitz; Gerry de la Ree; Forrest J Ackerman and Frank Wu. Here is a volume to be enjoyed and cherished.

Frank R. Paul is almost universally recognized as the "Father of Science Fiction Illustration," and rightly so, since his work has influenced and inspired generations of artists and visionaries over the past eighty years. From Flash Gordon to Luke Skywalker, Paul's presence is still being felt in the twenty-first century. Jerry Weist, noted Science Fiction historian, scholar, and founding editor of the prestigious EC comic fanzine Squa Tront, has turned his keen insight towards Paul, who envisioned a world of futuristic cities, space travel, and alien life forms. These fantastic visions were realized in the pages of Amazing Stories and hundreds of other science fiction pulps and digest magazines. Weist, who authored Ray Bradbury: An Illustrated Life (in collaboration with Bradbury) has brought together informative text on Paul and a visual record of nearly every one of his incredible covers, as well as some of his very best, and rarely seen, pen and ink interior illustrations. Featuring an Introduction by Hugo Award-winning science fiction illustrator Vincent Di Fate, this will be a visual feast for lovers of classic science fiction art.

The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.

Though now best remembered as the creator of the character Tarzan, Edgar Rice Burroughs was a prolific writer of science fiction and fantasy tales. This novel is the third entry in Burroughs' Caspak trilogy, following The Land That Time Forgot and The People That Time Forgot. Filled with more tantalizing details about the fantastical world the novels describe, this volume also delves into the science behind the story, positing a feasible evolutionary account for the survival of dinosaurs and other prehistoric flora and fauna on a remote island.

Thrilling, Wonder, Captain America, America's Best, Marvel, Exciting, Startling: Alex Schomburg produced the most dazzling array of high-quality comic-book covers in the Golden Age of American Comics. Spider-Man, Hulk, and X-Men co-creator Stan Lee said, "Alex Schomburg was to comic books what Norman Rockwell was to The Saturday Evening Post." Golden Age comic books with Schomburg covers are selling for record prices in America's leading auction houses. This book collects, for the first time, a host of tantalizing Schomburg treasures in one volume. Superheroes, jungle girls, robots, wild animals, and space travelers abound in these romantic and nostalgic Pop-Art icons of the bygone WWII era. Alex Schomburg has won every major award for both science fiction and comic book art, from the Hugo Lifetime Achievement Award to the Inkpot, the Doc Smith Lensman Award, and the Frank R. Paul Award. He was inducted posthumously into the Eisner Awards Hall of Fame. During WWII, Schomburg turned out a plethora of ornate, flamboyant, and outrageously pro-American comic book covers jammed with detail. Schomburg was Timely-Marvel's definitive 1940s cover artist. Ron Goulart, author of Comic Book Culture, called Schomburg the undisputed champ and Hieronymous Bosch of comics artists. After the war, Schomburg's comics subjects shifted toward adorable pin-up quality jungle girls and sci-fi (often signed "Xela") in the trademark airbrush style that made the artist famous as a book and magazine illustrator. About this book, Harlan Ellison said, "Finally and at last! The magnificent answer to the question, 'What do you buy for the Man Who Has Everything?' No matter what age he may be, this every-page-a-wonder assemblage of Schomburg paintings will thrill, charm and delight any guy on his anniversary, birthday, holiday or need for apology from you. It might please women, too, but for guys, for sure."