Frank's had better days... The doctor gave him the news he didn't want and Frank's discovered the worst kept secret in Liverpool; that his wife's fitness instructor is providing her services that extend beyond the gym. With time a dwindling commodity, Frank decides it's time to do something he wants to do. With a little encouragement from his oldest friend, Stan, the first destination for his 'bucket-list' is the Isle of Man TT Races. They were content to just spectate, but fate had other ideas.

Please look out for the third in the series, Frank and Stan's Bucket List #3 Isle Le Mans TT - Available now on Amazon! The hilarious sequel to the feel-good smash hit comedy 'Hilarious, brilliant, inspired storyline' 'If you thought #1 was funny then you are in for a treat. If anything this book is funnier than the last. Can't wait for #3' 'Another chequered flag winner, enjoy' Frank's too busy enjoying life just now to worry about dying... Bucket list item №1 for Frank and his oldest friend, Stan, was the TT Races. They did it, and loved it so much, that now they're heading back for item №2 on the list - TT Races yet again! The fledgeling race team they'd cobbled together on their first outing - despite moments of definite glory - didn't exactly thrive. But, despite this, they've once again secured the trusty services of Dave and Monty - the two most out of shape, yet passionate and dedicated, racers in the paddock - and they're optimistically eyeing a top ten finish. With his unhappy marriage and wallet-draining ex-wife now firmly in the past, Frank is ready for a positive change - time and health permitting. Life in the glorious Isle of Man has rejuvenated him, and he's now eager, in fact, to make it his home. But he's not going anywhere unless his mate Stan's coming, too!The hilarious sequel to the feel good smash hit comedy 'Hilarious, brilliant, inspired storyline' 'If you thought #1 was funny then you are in for a treat. If anything this book is funnier than the last. Can't wait for #3' 'Another chequered flag winner, enjoy' Frank's too busy enjoying life just now to worry about dying... Bucket list item №1 for Frank and his oldest friend, Stan, was the TT Races. They did it, and loved it so much, that now they're heading back for item №2 on the list - TT Races yet again! The fledgeling race team they'd cobbled together on their first outing - despite moments of definite glory - didn't exactly thrive. But, despite this, they've once again secured the trusty services of Dave and Monty - the two most out of shape, yet passionate and dedicated, racers in the paddock - and they're optimistically eyeing a top ten finish.With his unhappy marriage and wallet-draining ex-wife now firmly in the past, Frank is ready for a positive change - time and health permitting. Life in the glorious Isle of Man has rejuvenated him, and he's now eager, in fact, to make it his home. But he's not going anywhere unless his mate Stan's coming, too!

DIVA frank and insightful memoir of a life spent in publishing, by one of literature’s most legendary agents/divDIV Sterling Lord has led an extraordinary life, from his youth in small-town Iowa to his post-war founding and editing of an English-language magazine in Paris, followed by his move to New York City to become one of the most powerful literary agents in the field. As agent to Jack Kerouac, Ken Kesey, and countless others—ranging from Jimmy Breslin and Rocky Graziano to the Berenstains and four US cabinet members—Lord is the decisive influence and authors’ confidant who has engineered some of the most important book deals in literary history. In Lord of Publishing, his memoir of life and work (and tennis), Lord reveals that he is also a consummate storyteller. Witty and wise, he brings to life what was arguably the greatest era of book publishing, and gives a brilliant insider’s scoop on the key figures of the book business—as well as some of the most remarkable books and authors of our time. /div

Cascade Summer is the story of Bob Welch's 452-mile hike on the Oregon portion of the Pacific Crest Trail in 2011. Adventure, breathtaking views, and new friends from around the world - the trip had it all. But there was no way the author was prepared for the bittersweet ending.

Class-tested and coherent, this textbook teaches classical and web information retrieval, including web search and the related areas of text classification and text clustering from basic concepts. It gives an up-to-date treatment of all aspects of the design and implementation of systems for gathering, indexing, and searching documents; methods for evaluating systems; and an introduction to the use of machine learning methods on text collections. All the important ideas are explained using examples and figures, making it perfect for introductory courses in information retrieval for advanced undergraduates and graduate students in computer science. Based on feedback from extensive classroom experience, the book has been carefully structured in order to make teaching more natural and effective. Slides and additional exercises (with solutions for lecturers) are also available through the book's supporting website to help course instructors prepare their lectures.

Imagine that Alice had walked into a bar instead of falling down the rabbit hole. In the tradition of J. R. Moehringer’s The Tender Bar and the classic reportage of Joseph Mitchell, here is an indelible portrait of what is quite possibly the greatest bar in the world—and the mercurial, magnificent man behind it. The first time he saw Sunny’s Bar, in 1995, Tim Sultan was lost, thirsty for a drink, and intrigued by the single bar sign among the forlorn warehouses lining the Brooklyn waterfront. Inside, he found a dimly lit room crammed with maritime artifacts, a dozen well-seasoned drinkers, and, strangely, a projector playing a classic Martha Graham dance performance. Sultan knew he had stumbled upon someplace special. What he didn’t know was that he had just found his new home. Soon enough, Sultan has quit his office job to bartend full-time for Sunny Balzano, the bar’s owner. A wild-haired Tony Bennett lookalike with a fondness for quoting Shakespeare and Samuel Beckett, Sunny is truly one of a kind. Born next to the saloon that has been in his family for one hundred years, Sunny has over the years partied with Andy Warhol, spent time in India at the feet of a guru, and painted abstract expressionist originals. But his masterpiece is the bar itself, a place where a sublime mix of artists, mobsters, honky-tonk musicians, neighborhood drunks, nuns, longshoremen, and assorted eccentrics rub elbows. Set against the backdrop of a rapidly transforming city, Sunny’s Nights is a loving and singular portrait of the dream experience we’re all searching for every time we walk into a bar, and an enchanting memoir of an unlikely and abiding friendship. Praise for Sunny’s Nights “Fantastic . . . [Sultan takes] material that might seem familiar and [mixes] a perfect, insightful cocktail: full-bodied, multitextured and delicious. . . . Simply beautiful.”—The New York Times Book Review “Sultan’s love of Red Hook shines through, and it’s hard not to be swept along on the ebb and flow of his emotions. . . . Sultan’s book is, among other things, a meditation on the fragility of the moment and the passage of time. . . . Wistful, funny and biting, Sunny’s Nights rewards you with its evocation of a certain place in time and, as Sultan calls him, ‘the most original man I have ever met.’”—Newsday “An affectionate portrait of the idiosyncratic Sunny’s Bar.”—USA Today “Sultan finds Sunny . . . a real character, a poet, a cinephile, a philosopher, bluegrass maestro and (Rheingold) beer server.”—New York Post (“Required Reading”) “Captivating . . . a classic story about a local bar.”—The Buffalo News “An enchanting memoir, a profound meditation on place and a beautiful story of an unlikely and abiding friendship.”—Brooklyn Daily Eagle “[A] polished, affecting look at remarkable barkeep Sunny Balzano . . . In elegant prose, Sultan deploys laconic humor, an instinct for telling details, a taste for eccentricity, and above all, clear-eyed compassion for our all-too-human failings.”—Publishers Weekly (starred review) “Beautifully wrought . . . an indelible portrait of an unusual man and a nearly forgotten part of NYC.”—Booklist “More than an elegy for a bar and a neighborhood—it’s also a vivid and loving portrait of the larger-than-life eccentric who gave the bar its name and its spirit.”—Tom Perrotta, author of The Leftovers

Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with main-stream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success. After an introductory overview of the Beat Generation, its history, its antecedents, and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers-who were inspired by jazz and other liberating influences-as carnivalesque rebels against what they perceived as a rigid and stifling social order. Showing the Beats as social critics, Sterritt looks at the work of 1950s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films. Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis; nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries.