This volume begins with the exciting new contribution of three previously unpublished lectures the young Wright delivered to Chicago audiences as he expounded his basic philosophy of architecture, and ends with his famed "Kahn Lectures", given at Princeton University in 1930. 110 illustrations, 50 in color.

Florida Southern College in Lakeland boasts the largest single-site collection of Frank Lloyd Wright architecture in the world. With eleven buildings planned and designed by Wright, the campus forms a rich tableau for examining the architect's philosophy and design practice. In this fully illustrated volume, Dale Allen Gyure tells the engaging story of the ambitious project from beginning to end. The college's dynamic president, Ludd M. Spivey, wanted the grounds and buildings redesigned to embody a modern and distinctly American expression of Protestant theology. Informed by Spivey's vision, his own early educational experience, and his architectural philosophy, Wright conceived the "Child of the Sun" complex. Much like Thomas Jefferson's famous plan for the University of Virginia, the academic village that Wright designed for Florida Southern College expresses a dramatic and personal statement about education in a democratic society. Little studied to date, this significant campus and its history are finally given the attention they deserve in this fascinating volume.

A cultural icon who defined the twentieth-century American landscape, Frank Lloyd Wright has been studied from what seems to be every possible angle. While many books focus on his works, torrid personal life, or both, few solely consider his professional persona, as a man enmeshed in a web of prominent public figures and political ideas. In this new biography, Robert McCarter distills Wright’s life and work into a concise account that explores the beliefs and relationships so powerfully reflected in his architectural works. McCarter examines here how Wright aspired to influence America’s evolving democratic society by the challenges his buildings posed to traditional views of private and public space. He investigates Wright’s relationships with key leaders of art, industry, and society, and how their views came to have concrete significance in Wright’s work and writings. Wright argued that architecture should be the “background or framework” for daily life, not the “object,” and McCarter dissects how and why he aspired to this and other ideals, such as his belief in the ethical duty of architects to improve society and culture. A penetrating study of the foremost pioneer in modern architecture, Frank Lloyd Wright offers a fascinating biographical chronicle that reveals the principles and relationships at the base of Wright’s production.