Architectural historian Etlin defines the main principles of progressive 19th-century architectural thought: the architectural system, the picturesque, philosophical eclecticism, and the spirit of the times. These principles are explored in detail in relation to 19th- and 20th-century architecture, and also to demonstrate their importance to the work of Wright and Le Corbusier. Illustrated with drawings and photos. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR

Dave Brussat has made a significant contribution to the history of Providence. For those interested in that history, Lost Providence is a real find. Providence Journal Providence has one of the nation's most intact historic downtowns and is one of America's most beautiful cities. The history of architectural change in the city is one of lost buildings, urban renewal plans and challenges to preservation. The Narragansett Hotel, a lost city icon, hosted many famous guests and was demolished in 1960. The American classical renaissance expressed itself in the Providence National Bank, tragically demolished in 2005. Urban renewal plans such as the Downtown Providence plan and the College Hill plan threatened the city in the mid-twentieth century. Providence eventually embraced its heritage through plans like the River Relocation Project that revitalized the city's waterfront and the Downcity Plan that revitalized its downtown. Author David Brussat chronicles the trials and triumphs of Providence's urban development.

The story of modern architecture is told here through the lives and works of three men who changed the face of the cities we live in. Le Corbusier gave to modern design a sure and brilliant sense of form; Mies brought an almost Gothic discipline of structure; and Wright heralded a new and dramatic concept of space and freedom. Through this triple focus, Peter Blake provides a perspective on the entire range of twentieth-century architecture.

The utopian visions of three of urban planning’s greatest visionaries. Ebenezer Howard, Frank Lloyd Wright and Le Corbusier, hated the cities of their time with an overwhelming passion. The metropolis was the counter-image of their ideal cities, the hell that inspired their heavens. In this book Robert Fishman examines the utopian visions of three of urban planning’s greatest visionaries. Howard created the concept of the “garden city” where shops and cottages formed the center of a geometric pattern with farmland surrounding; Wright conceived of “Broadacre City,” the ultimate suburb, where the automobile was king; and Le Corbusier imagined “Ville Radieuse,” the city of cruciform skyscrapers set down in open parkland.

For his critics and biographers, the 1930s have always been the most challenging period of Frank Lloyd Wright's career. This account uses the architect's long-inaccessable archives at Taliesin West to provide a balanced evaluation of Wright in the 1930s. It separates Wright's design activities from his self-promotion and places his philosophy of individualism within the context of the times.