Thirteen-year-old Joey Frank and Ernie are dirt-poor farmers' sons in rural Georgia in the early 1900's, but they each have something money can't buy: A best buddy. Ernie is eight days older, so he takes the lead when they decide where to go fishing, and what to do when they go to town, and when to skip a day from their one-room schoolhouse. On that day, they watch the town banker and his wife bury something in the woods. Ernie goads Joey Frank into questioning the banker about this strange episode, and Ernie has to take the lead once again to get them out of the terrible scrape, which ensues. But Joey Frank is strong willed too, and when Ernie's luck runs out, Joey Frank determines one thing: that no matter what he has to do to take care of Ernie, Ernie's buddy wont let him down.

When construction worker Frank produces a six-foot-long sandwich for lunch, his buddy Joey asks for a bite. On board pages.

Set in 1966, these stories re-create the world of lower-middle-class adolescent boys coming of age in upstate New York.

Maurice Sendak (1928–2012) stands out as one of the most respected, influential authors of the twentieth century. Though primarily known as a children’s book writer and illustrator, he did not limit himself to these areas. He saw himself first and foremost as an artist. In this collection of interviews, Sendak presents himself as a writer, illustrator, set designer, and librettist. From his early work with Randall Jarrell and Ruth Krauss through his later work with Tony Kushner and Spike Jonze, Sendak worked as a collaborator with a passion for the arts. The interviews here, many of which are hard to find or previously unpublished, span from 1966 through 2011. They show not only Sendak’s shifting artistic interests, but also changes in how he understood himself and his craft. What emerges is a portrait of an author and an artist who was alternately solemn and playful, congenial and irascible, sophisticated and populist. The man who showed millions of children and adults alike what’s cooking in the night kitchen and where the wild things are, Sendak remains an American original who redefined the picture book and changed children’s literature—and its readers—forever.

“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.”—The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.”—Los Angeles Magazine “A blistering look at La La Land.”—USA Today “One of the nastiest, tastiest tell-alls in showbiz history.”—People

If Count Dracula wants to keep his family at the Hotel Transylvania, he’ll have to put his vampire skills to the test in this 8x8 storybook retelling of the hilarious monster movie. Sony Pictures Animation’s Hotel Transylvania 2 hits theaters September 25, 2015—just in time for Halloween! Can Drac concoct a plan to keep his family together? ™ & © 2015 Sony Pictures Animation Inc. All Rights Reserved.