Bacon's scientific method is commonly thought to proceed mechanically to its infallible end. In this book however, Urbach presents Bacon's philosophy in an alternative light which acquits him of several errors. Urbach describes Bacon as an experimental scientist and examines the criticisms made against him, one of which was that he did not understand the roles of mathematics and science. Bacon was not a traditional metaphysician and was alarmed at the lack of progress in science since ancient times, especially the lack of practical results. He attempted to open up a middle path between practical experience and unsupported theorizing. The author intends to clarify rather than defend Bacon's work.

This book, first published in 2001, provides a truly general account of Francis Bacon as a philosopher.

Francis Bacon (1561-1626) is commonly regarded as one of the founders of the Scientific Revolution. Zagorin's is the first biography in many years to present a comprehensive account of the entire sweep of Bacon's thought and its enduring influence. 20 halftones.

Francis Bacon's 'Inquiry Touching Human Nature' is an engagement at a fundamental level with the political and philosophic thought of one of the founders of modernity, Francis Bacon. Bacon had a comprehensive vision of the human situation. And because he saw the costs or dangers of modern life as clearly as he predicted its achievements and boons, Bacon is a thinker who addresses directly and deeply our own perplexities.

The latest book in a series that seeks to illuminate Francis Bacon’s art and motivations and open up fresh and stimulating ways of understanding his paintings. Francis Bacon was one of the most important artists of the twentieth century. His works continue to puzzle and unnerve viewers, raising complex questions about their meaning. Over recent decades, two theoretical approaches to Bacon’s work have come to hold sway: first, that Bacon is an existential painter, depicting an absurd and godless world; and second, that he is an antirepresentational painter, whose primary aim is to expose his work directly to the spectator’s “nervous system.” Francis Bacon draws together some of today’s leading philosophers and psychoanalytic critics to go beyond established readings of Bacon and open up radically new ways of thinking about his art. The essays bring Bacon into dialogue with figures such as Aristotle, Georg Hegel, Sigmund Freud, Jacques Lacan, Theodor Adorno, and Martin Heidegger, and situate his work in the broader contexts of modernism and modernity. The result is a timely and thought- provoking collection that will be essential reading for anyone interested in Bacon, modern art, and contemporary aesthetics.