In 1940, the German army fought and won an extraordinary battle with France in six weeks of lightning warfare. With the subtlety and compulsion of a novel, Horne’s narrative shifts from minor battlefield incidents to high military and political decisions, stepping far beyond the confines of military history to form a major contribution to our understanding of the crises of the Franco-German rivalry. To Lose a Battle is the third part of the trilogy beginning with The Fall of Paris and continuing with The Price of Glory (already available in Penguin).

The German victory of 1940 stunned the world. France, thought to be a major European power with one of the world's largest armies, collapsed in less than seven weeks. The secret of the Wehrmacht's success lay in its revolutionary new tactics of blitzkrieg: lightning war. Fast-moving tank divisions supported by armored, mobile infantry swept over opposition, helped by both conventional bombers and deadly Stuka dive-bombers. Alan Shepperd's highly detailed text examines the tactics, organization, and equipment of the Allied and German forces, and provides a daily account of the most crucial period of the battle. The German victory of 1940 stunned the world. France, thought to be a major European power with one of the world's largest armies, collapsed in less than seven weeks. The secret of the Wehrmacht's success lay in its revolutionary new tactics of blitzkrieg: lightning war. Fast-moving tank divisions supported by armored, mobile infantry swept over opposition, helped by both conventional bombers and deadly Stuka dive-bombers. Alan Shepperd's highly detailed text examines the tactics, organization, and equipment of the Allied and German forces, and provides a daily account of the most crucial period of the battle. The tank marks as great a revolution in land warfare as an armored steamship would have marked had it appeared amongst the toilsome triremes of Actium. So said General Heinz Guderian, architect of the stunning German victory over France in 1940. Alan Shepperd examines tactics and the German's application of them to their 1940 French campaign, as he looks at the differing organization and equipment of both Allied and German forces. He gives a daily account of the most crucial period of the battle, that of May 10-17, and also examines the evacuation of Dunkirk, in which 337,000 troops, mostly British, were taken out of the Germans' clutches at the last moment by the Royal Navy supported by a vast armada of privately owned vessels. Not only are German strengths looked at but Allied weaknesses are also examined: their ineffective use of tanks, the obsolete French defensive strategy, and, possibly most importantly, the political splits within France that demoralized her army and combined with the German's speedy advance to bring collapse about so quickly.

In this revisionist account of France’s crushing defeat in 1940, a world authority on French history argues that the nation’s downfall has long been misunderstood. Philip Nord assesses France’s diplomatic and military preparations for war with Germany, its conduct of the war once the fighting began, and the political consequences of defeat on the battlefield. He also tracks attitudes among French leaders once defeat seemed a likelihood, identifying who among them took advantage of the nation’s misfortunes to sabotage democratic institutions and plot an authoritarian way forward. Nord finds that the longstanding view that France’s collapse was due to military unpreparedeness and a decadent national character is unsupported by fact. Instead, he reveals that the Third Republic was no worse prepared and its military failings no less dramatic than those of the United States and other Allies in the early years of the war. What was unique in France was the betrayal by military and political elites who abandoned the Republic and supported the reprehensible Vichy takeover. Why then have historians and politicians ever since interpreted the defeat as a judgment on the nation as a whole? Why has the focus been on the failings of the Third Republic and not on elite betrayal? The author examines these questions in a fascinating conclusion.

Occupations past and present -- Consuming the tastes and pleasures of France -- Touring and writing about occupied land -- Capturing experiences: and photo books -- Rising tensions -- Westweich perceptions of "softness"; among soldiers in France -- Twilight of the gods

Wednesday 12th June 1940. The Times reported 'thousands upon thousands of Parisians leaving the capital by every possible means, preferring to abandon home and property rather than risk even temporary Nazi domination'. As Hitler's victorious armies approached Paris, the French government abandoned the city and its people, leaving behind them an atmosphere of panic. Roads heading south filled with ordinary people fleeing for their lives with whatever personal possessions they could carry, often with no particular destination in mind. During the long, hard journey, this mass exodus of predominantly women, children, and the elderly, would face constant bombings, machine gun attacks, and even starvation. Using eyewitness accounts, memoirs, and diaries, Hanna Diamond shows how the disruption this exodus brought to the lives of civilians and soldiers alike made it a defining experience of the war for the French people. As traumatized populations returned home, preoccupied by the desire for safety and bewildered by the unexpected turn of events, they put their faith in Marshall Pétain who was able to establish his collaborative Vichy regime largely unopposed, while the Germans consolidated their occupation. Watching events unfold on the other side of the channel, British ministers looked on with increasing horror, terrified that Britain could be next.

"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.