A prismatic look at the meeting of Marie Curie and Albert Einstein and the impact these two pillars of science had on the world of physics, which was in turmoil. In 1911, some of the greatest minds in science convened at the First Solvay Conference in Physics, a meeting like no other. Almost half of the attendees had won or would go on to win the Nobel Prize. Over the course of those few days, these minds began to realize that classical physics was about to give way to quantum theory, a seismic shift in our history and how we understand not just our world, but the universe. At the center of this meeting were Marie Curie and a young Albert Einstein. In the years preceding, Curie had faced the death of her husband and soul mate, Pierre. She was on the cusp of being awarded her second Nobel Prize, but scandal erupted all around her when the French press revealed that she was having an affair with a fellow scientist, Paul Langevin. The subject of vicious misogynist and xenophobic attacks in the French press, Curie found herself in a storm that threatened her scientific legacy. Albert Einstein proved an supporter in her travails. They had an instant connection at Solvay. He was young and already showing flourishes of his enormous genius. Curie had been responsible for one of the greatest discoveries in modern science (radioactivity) but still faced resistance and scorn. Einstein recognized this grave injustice, and their mutual admiration and respect, borne out of this, their first meeting, would go on to serve them in their paths forward to making history. Curie and Einstein come alive as the complex people they were in the pages of The Soul of Genius. Utilizing never before seen correspondance and notes, Jeffrey Orens reveals the human side of these brilliant scientists, one who pushed boundaries and demanded equality in a man’s world, no matter the cost, and the other, who was destined to become synonymous with genius.

Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.

The eighteenth-century German physicist Georg Christoph Lichtenberg left behind at the time of his death thousands of fragmentary notes commenting on a dazzling and at the same time puzzling array of subjects. Pierre Senges’s Fragments of Lichtenberg imaginatively and hilariously reconstructs the efforts of scholars across three centuries to piece together Lichtenberg’s disparate notes into a coherent philosophical or artistic statement. What emerges instead from their efforts are a wide variety of conflicting and competing Lichtenbergs – the poet, the physicist, the philosopher, the humorist – and a very funny meditation on the way interpretations and speculation create new histories and new realities. In just over half a century, Georg Christoph Lichtenberg (1742-1799) had the time to be all of the following: a hunchback; a mathematician; a physics professor; a connoisseur of hare pate; a hermit; an electrical theorist; a skirtchaser; a friend of King George III of England; an asthmatic; a defender of reason; a hypochondriac; a dying man; and the author of 8,000 fragments written with ink and goose quills. Traditionally those fragments have been considered no more than aphorisms, to be sipped like fine schnapps, but certain scholars claim, however, that his famous Wastebooks are really the scattered pieces of a Great Novel, and that this might yet be reconstructed, with the help of scissors, glue, and paper, and by using what is left of our imaginations. The present volume retracts, among other things, the work undertaken for more than a century by valiant Lichtenbergians.