An “emotion-packed” New York Times–bestselling saga by the author of Cashelmara, set on a Welsh family estate in the early twentieth century (San Francisco Chronicle). Tucked in the hills of South Wales is Oxmoon, the ancestral estate of the Godwin family. In the summers before 1914, music streams through the family home as the Godwins, at the height of their prosperity, dance in the ballroom with their guests. But despite the remarkable talents of heir-apparent Robert Godwin, the fates have a rough, tough ride planned for him and those he loves. Fortunes shift during two world wars, disastrous love affairs leave the family battered, and finally jealousy threatens to destroy Oxmoon and all it symbolizes. Based on a true story that has been updated to modern times, The Wheel of Fortune is a timeless tale of love, hatred, revenge, redemption, and forgiveness. This ebook features an illustrated biography of Susan Howatch including rare photos and never-before-seen documents from the author’s personal collection.

Mohawks is a novel by Mary Elizabeth Braddon. It has 3 volumes. This volume has 12 chapters. example: CHAPTER I. "ONE THAT DOTH WEAR HIMSELF AWAY IN LONENESS." "Nothing?" asked the farmer, standing upon a heathery knoll, with his gun under his arm, and his two clever spaniels, Nell and Beauty, crouched dutifully at his feet. "Nothing but this," answered the farmer's man, holding up a bundle of papers—pamphlets and manuscripts—dirty, crumpled, worn as if with much carrying to and fro over the face of the earth. They were tied up in a ragged old cotton handkerchief, and they had been carried in the breast-pocket of yonder wayfarer who lay stark and stiff, with his dead face staring up at the bright blue sky of early morning. A little child, a mere baby, lay asleep beside him, nestling against the arm that would never again shelter or defend her.

This volume explores the ways that Charles Dickens appropriated and made central to his novels the dominant symbol of his age. The author argues that Dickens' contribution to the iconographic and narrative traditions was to fuse the classical image of the wheel - fortune - with the industrial one.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a number of changes have been made. The Old English material has been substantially revised and expanded, including new translations by Roy Liuzza of “Deor,” “Wulf and Eadwacer,” and “The Battle of Brunanburh.” A selection from Adrienne Williams Boyarin’s new translation of “The Miracles of the Virgin” will be included, along with Sian Echard’s translation of selections from Y Gododdin. Matthieu Boyd’s translation of the first two branches of the Mabinogi is also new to this edition, together with several Early Irish lyrics. The “Love and Marriage” Contexts section has been expanded to include additional material by Christine de Pizan and excerpts from Holy Maidenhood, and the “Religious and Spiritual Life” Contexts section now includes excerpts from Wycliffite writings. The selection of material by Sir Thomas Malory has also been substantially revised and expanded. In addition, the online component of the anthology includes several new selections, including “The Gifts of Men,” “The Fortunes of Men,” “The Feast of Bricriu,” material by Robert Henryson, and a broader selection of medieval drama.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. In the revised third edition of this volume, the term “Anglo-Saxon” has been removed from our editorial apparatus—a change made in response to recent scholarly work that has drawn attention to the term’s historical and current usage by white supremacists. We have also taken the opportunity to implement a small number of additional improvements. We have also taken the opportunity to implement a small number of additional improvements; the pagination, however, remains the same.

How do you recover when half your neighbours are dead from history's cruellest plague? In 14th century Meonbridge, after the Black Death moves on, tensions between the manor's lord and his tenants deepen into violence. When the men can't find a resolution, the women must step forward to stop Meonbridge tearing itself apart.