Examines the nature of the relationship which exists between a society based on competitive capitalism and the political and economic freedoms of its citizens

Published to coincide with the 40th anniversary of its original publication, this special edition of the beloved, best-selling cult classic features a new design, new cover illustration, and 15 never-before-seen drawings. Featuring a handsome new package redesigned by the author himself, this edition is a must-have for fans and collectors of Luigi Serafini’s art. First published in 1981 in Milan by F.M. Ricci, the book has been hailed as one of the most unusual yet beautiful art books ever made. A visual encyclopedia of an unknown world written in an unknown language, it has fueled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, it has now fascinated and enchanted two generations. While its message may be unclear, its appeal is obvious: it is a most exquisite artifact, blurring the line between art book and art object. This edition presents it in a new, unparalleled light complete with 15 new illustrations by the author. With the advent of new forms of communication, continuous streams of information, and social media, the Codex is more relevant and timely than ever. A limited numbered deluxe edition, bound in real cloth and presented in a handsome slipcase, is also available. It includes a signed print of a new illustration made by the author to commemorate the 700th anniversary of the death in 1321 of Dante Alighieri, one of Italy’s greatest writers and creator of The Divine Comedy.

When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influenceeven something of a legendamong serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972along with the posthumous retrospective at The Museum of Modern Artoffered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbuss friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbuss photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

Love and lust, triumph and tragedy, romance and villainy are everyday occurrences in Oakdale, U.S.A., the home of "As the World Turns". Ever since its debut on April 2, 1956, this television landmakr has been weaving its tantalizing spell over an audience that spans generations. This official family scrapbook offers the saga from the very beginning to the present day.

An anniversary edition of a classic in cognitive science, with a new introduction by the author. When Brainstorms was published in 1978, the interdisciplinary field of cognitive science was just emerging. Daniel Dennett was a young scholar who wanted to get philosophers out of their armchairs—and into conversations with psychologists, linguists, computer scientists. This collection of seventeen essays by Dennett offers a comprehensive theory of mind, encompassing traditional issues of consciousness and free will. Using careful arguments and ingenious thought experiments, the author exposes familiar preconceptions and hobbling intuitions. The essays are grouped into four sections: “Intentional Explanation and Attributions of Mentality”; “The Nature of Theory in Psychology”; “Objects of Consciousness and the Nature of Experience”; and “Free Will and Personhood.” This anniversary edition includes a new introduction by Dennett, “Reflections on Brainstorms after Forty Years,” in which he recalls the book's original publication by Harry and Betty Stanton of Bradford Books and considers the influence and afterlife of some of the essays. For example, “Mechanism and Responsibility” was Dennett's first articulation of his concept of the intentional stance; “Are Dreams Experiences?” anticipates the major ideas in his 1991 book Consciousness Explained; and “Where Am I?” has been variously represented in a BBC documentary, a student's Javanese shadow puppet play, and a feature-length film made in the Netherlands, Victim of the Brain.

Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, "the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation." Reissued here, forty years after its inception, this anniversary edition contains a new preface by Moraga reflecting on Bridge's "living legacy" and the broader community of women of color activists, writers, and artists whose enduring contributions dovetail with its radical vision. Further features help set the volume's historical context, including an extended introduction by Moraga from the 2015 edition, a statement written by Gloria Anzaldúa in 1983, and visual art produced during the same period by Betye Saar, Ana Mendieta, Yolanda López, and others, curated by their contemporary, artist Celia Herrera Rodríguez. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world.