From the bestselling author of Agent Zigzag and Double Cross the true story of Friedrich Nietzsche's bigoted, imperious sister who founded a 'racially pure' colony in Paraguay together with a band of blond-haired fellow Germans.

“A fascinating, provocative, and highly eccentric volume” (The New York Times) exploring the true story of Elisabeth Nietzsche’s maniacal attempt to found a utopian colony in the jungles of Paraguay in the late nineteenth century—from the bestselling author of Prisoners of the Castle. In 1886, Elisabeth Nietzsche, the bigoted, imperious sister of the famous philosopher, founded a “racially pure” colony in Paraguay with her husband, anti-Semitic agitator Bernhard Förster, and a band of fair-skinned fellow Germans. More than a century later, Ben Macintyre tracked down the survivors of Nueva Germania to discover the remains of this bizarre colony, and found a strange, tight-lipped people, still interbreeding to the point of genetic deterioration. Digging into recently opened German archives, Macintyre unfolds how Elisabeth, who returned to Germany in 1893, grafted her anti-Semitic, nationalist ideas onto her brother’s philosophy, building a mythic cult around him, and how she later became a mentor to Hitler—her stately funeral in 1935 attended by a tearful Führer. Laced with mordant irony, Macintyre’s brilliant piece of investigative journalism explores how the Nazis perverted Friedrich Nietzsche’s ideas to justify their evil deeds, and unearths a rich and disturbing vein of the twentieth century’s dark history.

What would have happened if Hitler had won World War II?

Bad Faith tells the story of one of history's most despicable villains and conmen - Louis Darquier, Nazi collaborator and 'Commissioner for Jewish Affairs', who dissembled his way to power in the Vichy government and was responsible for sending thousands of children to the gas chambers. After the war he left France, never to be brought to justice. Early on in his career Louis married the alcoholic Myrtle Jones from Tasmania, equally practised in the arts of fantasy and deception, and together they had a child, Anne whom they abandoned in England. Her tragic story is woven through the narrative. In Carmen Callil's masterful, elegiac and sometimes darkly comic account, Darquier's rise during the years leading up to the Second World War mirrors the rise of French anti-Semitism. Epic, haunting, the product of extraordinary research, this is a study in powerlessness, hatred and the role of remembrance. Shortlisted for the Samuel Johnson Prize.

In My Father’s Books, the first volume in Luan Starova’s multivolume Balkan Saga, he explores themes of history, displacement, and identity under three turbulent regimes—Ottoman, Fascist, and Stalinist—in the twentieth century. Weaving a story from the threads of his parents’ lives from 1926 to 1976, he offers a child’s-eye view of personal relationships in shifting political landscapes and an elegiac reminder of the enduring power of books to sustain a literate culture. Through lyrical waves of memory, Starova reveals his family’s overlapping religious, linguistic, national, and cultural histories. His father left Constantinople as the Ottoman Empire collapsed, and the young family fled from Albania to Yugoslav Macedonia when Luan was a boy. His parents, cosmopolitan and well-traveled in their youth, and steeped in the cultures of both Orient and Occident, find themselves raising their children in yet another stagnant and repressive state. Against this backdrop, Starova remembers the protected spaces of his childhood—his mother’s walled garden, his father’s library, the cupboard holding the rarest and most precious of his father’s books. Preserving a lost heritage, these books also open up a world that seems wide, deep, and boundless.

This book portrays one of the most dramatic episodes in recent Mennonite history. Set against the background of the early Soviet era in Russia, it narrates the story of a small religious and ethnic group caught in the tenacious grasp of political upheaval and social change. Having devoted a century of toil to the country whose patronage attracted them early in the nineteenth century, the Russian Mennonites faced a catastrophe of unprecedented proportions after 1917. Progressively uprooted by the cross-currents of revolution, they began a struggle for survival in which every alternative offering even a vague promise of a better future was explored. Lost Fatherland stresses the economic, social, cultural, and religious aspects related to the ultimate failure of the Mennonite dialogue with communism. Once convinced Russia held no future for them, the colonists formulated plans for mass emigration. The story of the exodus was one of endurance, fortitude, patience and faith. For many the movement was overshadowed by the constant threat of failure. It ended in heartbreak for the majority of settlers, for only one quarter of the Mennonite minority in Russia managed to find a new home in Canada. John B. Toews (PhD, University of Colorado) is Professor of Church History and Anabaptist Studies at Regent College in Vancouver, British Columbia. His other books include Perilous Journey: The Mennonite Brethren in Russia, 1860-1910 and The Diaries of David Epp, 1837-1843.

The acclaimed second collection of poetry by Patricia Lockwood, Booker Prize finalist author of the novel No One Is Talking About This and the memoir Priestdaddy SELECTED AS A BEST BOOK OF THE YEAR: The New York Times * The Boston Globe * Powell’s * The Strand * Barnes & Noble * BuzzFeed * Flavorwire “A formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review Colloquial and incantatory, the poems in Patricia Lockwood’s second collection address the most urgent questions of our time, like: Is America going down on Canada? What happens when Niagara Falls gets drunk at a wedding? Is it legal to marry a stuffed owl exhibit? Why isn’t anyone named Gary anymore? Did the Hatfield and McCoy babies ever fall in love? The steep tilt of Lockwood’s lines sends the reader snowballing downhill, accumulating pieces of the scenery with every turn. The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.