Bestselling author Joelle Sterling concludes her vampire trilogy as a young woman must decide between love and saving her world. In the town of Frombleton, government and law enforcement are run by vampires, and humans can’t get justice—particularly after the sun goes down. Holland Manning has been studying witchcraft at the elite Stoneham Academy. Having reached the rare pinnacle of Witch of the First Order, Holland is the only human who has the power to thwart the vampires’ heinous designs. She alone can save the town’s residents. While devising a plan to overthrow the vampire regime, Holland is appalled to discover that another threat to humans has found its way to Frombleton: a growing band of ravenous zombies are prowling the streets, devouring the vampire’s food source and challenging their seat of power. And to Holland’s horror, at the helm of the marauding flesh eaters is the recently returned love of her life, Jonas! No matter who wins, the human race is doomed unless Holland can make the arduous decision to choose victory over love.

Gluttony and starvation, pleasure and pain, growth and decay. These and other extremes of our condition related to food, though all but banned from the "civilized" tables of mainstream fiction, are ideal topics for the "undomesticated," free-roaming modes of fantasy. As acts and ideas, food and eating are fundamental to all that makes us human and dominate our symbolic realms of art, literature, and cuisine. These essays show us the power of speculative modes of fiction to help us look anew at prehistorical and psychomythical attitudes toward food and eating; historical Western-cultural attitudes toward the material fact of food and the necessity of eating; and the relationship between attitudes toward food and how, how much, when, and where we eat. The contributors come from a variety of backgrounds, including anthropology, film, and French, Russian, English, and medieval literature. Ranging in their focus from shamans to cannibals, utopias to social Darwinism, muscle magazines to supermarket tabloids, the contributors discuss the theory and practice of science fictional eating; the dialectic, at the level of eating, between individual needs and collective norms; and the ways that eating habits and the availability and choice of food serve to contextualize and demarcate modern fictional genres. In addition to discussing such writers as C. S. Lewis, Stephen King, Octavia Butler, Jonathan Swift, and Anne Rice, the contributors also consider such films as Indiana Jones and the Temple of Doom and Cocteau's Beauty and the Beast.

A collection of excerpts from Allison Hobbs’s titles, including Pandora’s Box, The Enchantress, Scandalicious, Brick, and No Boundaries that will leave you wanting more. This steamy collection allows you to sample some selected excerpts from some of Allison Hobbs’s fan favorites. Experience a range of desires from sensual, unsuspecting love to kinky, dark fantasies. Just like every story she writes, these chapters will pull you in and you won’t want them to end! Also includes excerpts from the author writing as Joelle Sterling: Midnight Cravings, The Dark Hunger, and Forbidden Feast.

The Old Testament is a violent, bloody book, but the more we modern Christians neglect it, the more our gospel loses its teeth. This little book will call you out, cut you up, lift you up, and set you on fire. It begins where all spiritual meat does: not at the dinner table, not in the kitchen, nor even at the market. It begins in the abattoir. The God of the Old Testament is a butcher only because the Christ of the New Testament is a chef. Real theology deals with food, with milk and honey, flesh and blood, bread, oil, and wine. It is nourishment for children, wisdom for kings, and courage for prophets. God gave us food to teach us about life and death. God gave us sacrifice to teach us about death and resurrection. We prepare food for ourselves as God prepares us for Himself. The culinary art is close to the heart of the God who is a consuming fire.

This is a provocative collection of essays that provide cutting edge, original research in film studies, discussing a number of 'transgressive' films that have never before had such in-depth analysis and treatment. From '70s Italian horror films and extreme European cinema to Nazi propaganda films and fundamentalist Christian 'scare' movies, these essays explore many different genres and themes.

In this second installment of the Eternal Dead Series, normal reality is turned upside down as Holland and Jonas attempt to restore their taboo love amidst a dire clash among witches, zombies, and vampires. Since the demise of their leader, vampires have threatened to take over the peaceful town of Frombleton, brazenly roaming the streets while mingling with society and feeding on humans. And if that’s not bad enough, a zombie outbreak that was isolated to a separate rural area is slowly creeping toward the city, leaving a trail of ravaged corpses in its wake. Hundreds of miles away at Stoneham Academy, Holland Manning is learning the ancient art of witchcraft and practicing her emerging occult powers. After discarding her nerdy girl image, Holland is finally well liked and admired for the first time in her life, but she’s finding it difficult to enjoy her newfound popularity when she’s aching for her true love, Jonas. A soul-stealing hex has forced Jonas to return to his homeland in search of a cure, and Holland is eagerly waiting to find out if his humanity has been restored. Chilling and suspenseful, The Dark Hunger recounts the horrors of humans living among the undead—and the uncertainty of forbidden love amidst sinister forces.

Rosanne Parry, acclaimed author of A Wolf Called Wander and Heart of a Shepherd, shines a light on Native American tribes of the Pacific Northwest in the 1920s, a time of critical cultural upheaval. Pearl has always dreamed of hunting whales, just like her father. Of taking to the sea in their eight-man canoe, standing at the prow with a harpoon, and waiting for a whale to lift its barnacle-speckled head as it offers its life for the life of the tribe. But now that can never be. Pearl's father was lost on the last hunt, and the whales hide from the great steam-powered ships carrying harpoon cannons, which harvest not one but dozens of whales from the ocean. With the whales gone, Pearl's people, the Makah, struggle to survive as Pearl searches for ways to preserve their stories and skills.